Cut outs of printed numbers, surgical
finesses--scotch taped all over a wall.
The feeding schedule of the energy that
arranged them--their repetitive valuation
of motions.
A Dada poem about number theory,
Hugo Ball not by name.
A signifying wall of superficial blemishes,
dyed by the aura of its occupant, the
open-zero resilience of a wall.
A Turin-like flash treatment, that keeps
it from dilapidation.
A numbingly drafty room, a man in a
mink fur coat--smelling of frictional
accounts.
Listens to a storm in parts, between radio
stations--the relevant monster of the
twentieth century.
The Olay of a blowing curtain, thousands
of miles away--its pending atmosphere.
He looks a little like himself, a little like
the people that perceive him--& a lot like
the current atmosphere.
As he wipes the shiny germs of knife on
his fur coat--then slices into a tomato.
An infernal balance of membranous pulp,
a twin theory.