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125 · Jun 23
Depression
Matt Jun 23
I wake up.
But I don’t really wake up, do I?
The bed feels like it’s holding me down—
like I’m trapped inside my own skin.
I think about moving,
but my body’s too tired to listen.
My bones ache.
My mind aches.
And I’m still here.
Stuck.

I run my hands through my hair,
but nothing changes.
The noise in my head keeps getting louder,
like it’s trying to drown me.
Every thought is a weight,
every breath a struggle.
I’m suffocating in a room full of air.

The world keeps moving.
People keep laughing,
but it’s like I’m behind a glass,
just watching—
always watching,
never a part of it.
I can’t reach it.
I can’t reach them.
I can’t reach myself.

Some days, I fake it.
I paint a smile on my face,
tell everyone, “I’m fine.”
But it’s a lie.
A lie I tell so often,
I don’t know how to stop.
The emptiness inside me is too big,
too loud,
but I don’t know how to say it,
so I say nothing.
I hide it behind a smile,
and hope no one sees
how broken I really am.

Other days, I don’t even try.
I don’t have the strength to pretend anymore.
The world feels too far away,
and I’m too tired to care.
Too tired to fight.
Too tired to get out of bed.
Too tired to even keep breathing.
I don’t know how to keep going when
everything feels so heavy,
so pointless,
so wrong.

The light fades—
it’s been fading for a while now.
I don’t remember when it stopped shining,
but I can feel the darkness creeping in.
It wraps around me like a second skin,
and I don’t know how to take it off.
I want to scream.
I want to shout,
but my voice feels broken.
It’s like I’m invisible,
like no one can hear me,
and the silence is deafening.

Everything is dark,
and I’m still here,
fighting to breathe,
fighting to feel anything at all,
but nothing changes.
And I don’t know how much longer I can stay here—
in this emptiness,
in this darkness.
I don’t know how to move,
but I don’t know how to stay still either.
I’m just... here.

It doesn’t ask for permission.
It doesn’t wait for the “right” time.
One moment, I’m fine—
laughing, talking,
doing what I’m supposed to do.
Then the wave hits,
and everything falls apart.
Suddenly,
I’m drowning in my own head.

Sitting with friends—
I’m laughing,
I’m talking,
but inside,
I’m screaming.
I’m so far away from them,
and they don’t even know.
I can’t hear their voices anymore.
I can’t even hear myself.
I’m just stuck—
alone in a room full of people.

At school,
it’s worse.
I try to focus on the words,
on the lessons,
but it’s like they’re not even real.
The paper in front of me is blank,
my thoughts are blank,
and my mind is a million miles away.
Everything spins,
and I can’t stop it.
The walls are closing in.
My chest feels tight.
But I’m still here.
I can’t move.
I can’t breathe.

Sitting at my desk,
the homework’s impossible.
The words blur.
The numbers make no sense.
I want to throw it all away,
but I can’t.
I want to scream,
but I can’t.
I want to run,
but my legs don’t work.
It’s like I’m stuck in cement,
and the whole world is just passing me by.

Sometimes it hits in the middle of a conversation.
I’m talking,
laughing,
but none of it matters.
The words sound empty.
The sounds are hollow.
I just want to disappear.
I just want to walk away,
but I can’t.
I can’t leave.
I can’t do anything.

It hits without warning—
at random,
and it hits hard.
One minute, I’m breathing.
The next, I’m sinking,
drowning in a darkness that has no name.
And I don’t know how to make it stop.
I don’t know how to breathe again.
I don’t know how to live
when every moment feels like I’m dying.
It is very hard for me to leave bed on days when my episodes hit. Many of those days, poetry is the only thing I spend my time participating in from waking up until I go to sleep.
100 · Jun 23
Is It Too Much To Ask?
Matt Jun 23
I don’t need a love that waits outside,
pacing hospital halls with excuses in hand.
I need someone who will sit beside me,
fingers laced through mine like stitches,
pulling me together where I unravel.

I don’t need a love that floats above,
watching from shore, calling me back.
I need someone who will drown with me,
trusting I will rise, trusting I will take them too,
because I have before. Because I will.

We were parallel lines, forever close,
never meant to touch—
until the moment you turned to me,
until I turned to you,
and suddenly, we crossed, suddenly, we changed.
Perpendicular. Colliding.

But love is cruel in the ways it saves.
The only way I knew to love you
was to give you silence. To give you peace.
And so, I did. I let you go,
not because I stopped loving you,
but because I never would.
You must be honest with your expectations of love, and if you don't think someone is going to meet those expectations, you must reflect, and sometimes make the hard decision to let them go, otherwise you risk hurting yourself, them, or both.
65 · Jun 23
To Be Or Not To Be
Matt Jun 23
those are the options a boy is given at birth,
a choice between two evils—
for to be is to conform,
to choose the path of ignorance,
for to not be is to remove oneself,
to stray from the social norms,

To be is to blend,
to fade into a mass of faces that never ask questions,
to wear the uniform of comfort,
to follow the crowd without ever knowing why.
It’s to shut your eyes,
to smile and nod,
and pretend that you’ve figured it out
when the truth is you’re just drifting,
suspended in a current that leads nowhere.

But to not be—
to stand apart—
is to feel the weight of a world that cannot understand you.
It’s to be misunderstood,
labeled as lost or crazy,
but deep inside,
there’s a fire that refuses to be extinguished.
To not be is to question everything,
even your own reflection,
to challenge what is said to be true
and create your own truths,
even when it feels like you’re the only one who believes them.

And so the boy stands,
on the edge of these two choices,
each a path with its own promise,
its own cost.

To be is to live in a lie that everyone else accepts—
to wear a mask that fits just right,
but hides the person beneath.
To not be is to risk it all—
to tear away the mask,
to live in the rawness of truth,
to be exposed,
and to wonder if the world will ever be ready to see you as you are.

And so, the boy is left wondering
was he given two options at birth?
Or was the real choice always this—
to be neither,
to refuse the roles they've set before him,
and to create his own way,
somewhere between the lies and the isolation?

To decide not what the world tells him he must be,
but to question,
to carve out his own existence—
for, perhaps,
the answer lies in asking the question
again and again…
to be or not to be?
I've never been able to decide which path is easier, to be or not to be, and if ease even dictates the better path to choose.
Matt Jun 23
It starts—soft,
a thread of sound unspooling in the dark,
a quiet pull at the edge of being.

Close your eyes.

A note bends, weightless,
stretching toward something unseen,
like light slipping through fingertips,
like breath you didn’t know you were holding.

And suddenly, you are drifting—
unbodied,
untethered,
rising through the hush between chords.

Strings shimmer like stardust beneath your skin.
A voice—half air, half ache—
opens like a doorway inside your chest.
The bass hums deep in your bones,
a second heartbeat, steady, certain.

Everything you are dissolves into melody,
into harmony,
into motion.

For a moment—just one—
the world forgets to weigh you down.

And you let go.
Music is the best escape in my life; it helps me when I'm depressed, and anxious, and worried for what is to come.
55 · Jun 23
//:Fractured_Syntax
Matt Jun 23
c0de dr!ps, pixelated dreams—
echoes, lost? yes? no?
404 answers not f0und
&& the moon? fractured, spl!t,
mirrored in a cracked display.
Copy
   % stars flicker %  
       @ random()  
while (night) {  
    sleep = false;  
}  

--> footsteps... static... [redacted]
// who wrote this script?
* DO NOT ATTEMPT TO DECIPHER *
1nput: whispers( )
0utput: [???: unknown source]
Copy
| data.leaks  
| shadows.load  
| reality.corrupt( )
| death.static = imminent;...
I wrote this at a time when I did a lot of coding and so I mixed two of my favorite activities: poems and coding, into one.
Matt Jun 6
Day One:
the pen slashes—
Twenty. Six. Orders.
ink, not thought,
bleeds across parchment.

Questions?
(there are none)

Eliminated:
trans lives,
under a banner stitched from lies—
“feminism,”
they call it.
What do they call the silence?

Borders tighten.
“Maximum vetting,”
he says,
as the doors close
on hope,
on freedom,
on futures.

A hand waves,
pardons fall
like confetti—
1,500 violent rioters
cheer in their wake.
The Capitol weeps,
its wounds still raw.



We pull back, pull away,
from the world’s hands:
WHO?
Paris?
No.
The globe spins colder
without us.

The camera stares:
his signature sprawls,
blind,
blank,
bereft of meaning.
“What is it?” he asks—
too late.

TikTok ticks
a delayed
doom.
A political ploy
Misunderstood by the masses.

Behind the curtain:
facades fracture,
truth whispers,
fear shouts.

A country waits,
chained to a pen
that scrawls without reason.
A nation watches,
As the ink dries into scars.

All in a day’s work.
Matt Jun 6
the clock marks twelve with a
hollow chime.
in its wake, the air thickens, heavy
with absence.
shadows ripple across the walls,
shifting like thoughts half-formed,
dark and untethered.

the corner stretches, widens,
becomes something deeper,
a mouth that might swallow me
if i meet its gaze too long

the ceiling groans softly,
its beams contracting
as if under the weight
of something unseen.

i sit still, breathing shallow,
watching the shadows watch me,
and wonder if the clock
will ever strike one.
25 · Jul 6
Conformity
Matt Jul 6
They talk in circles, tight and neat.
Each word a chord, each step a beat.
I match their tone, I fake their flair,
I become a hollow shell to fill the air.

They smile in sync, they laugh in rows,
and I contort where their flow goes.
A single slip, a stumble shown,
could leave me standing all alone.

I change my voice, adjust my pace,
erase my quirks, redraw my face.
They shape the mold; I squeeze inside;
my true self shoved and cast aside.

Their rules are riddles, quick to switch;
a word too poor, a joke too rich,
and suddenly, the air turns cold.
Acceptance slips; I lose my hold, because conformity's a ...

But now I see the endless grind,
a race to please, a cage for minds.
Why chase a place I'll never claim,
when I can stand and own my name?

No more I'll bend, no more I'll try
to fold myself for every eye.
I'll stand apart, no crowd to please;
I'll claim my space, I'll find my peace.
This poem was very difficult for me to write. I've always felt a special hatred towards the idea of conformity, so I wanted to write a poem about it, but I also wanted to add an additional challenge. To conform. I used the most basic, standard, rhyme scheme in poetry, a very common structure used by several notable poets, and overall just tried to conform lol.
19 · 4d
The Fool
Matt 4d
I planted us in a garden of dreams
but only thistles grew.

I painted you in colors of longing,
but you saw only the blank canvas.

I built bridges from words,
laying planks of my fears and wishes
but your silence was a match,
burning them to ash
before I could cross

Still I sing —
a fool gardening in the shadows
This was one of my earliest poems.
17 · 4d
The Lighthouse
Matt 4d
I pour myself into your maybe
but you sip only silence
your heart, a door ajar,
lets in whispers, but not me.

I plant daisies in your absence
roots tangled in my ribs,
but you say,
“not yet”

still I glow —
a lighthouse for a ship
This was actually my very first ever poem. I wrote this poem on December 2nd, 2024, and posted it to my instagram story. Ever since then, my love for poetry has continued to grow, and I'm so so so glad I decided to pursue this hobby.
10 · Jul 2
Janus Smiles
Matt Jul 2
(Three voices, one truth)

I

You laugh like silver bells,
(Or is it a siren's call?)
You hold the door with grace,
(Or push them down the hall?)
They call you cruel, a storm of spite—
But I see sunlight.
You remember little things,
ask about my day,
make me feel like I matter.
(Do they not matter? Do they not exist?)

They

We whisper, we warn—
(You never listen.)
We've seen the mask slip,
(You never glisten.)
A shadow moves beneath your praise,
But you still chase.
We’ve watched you excuse, rewrite,
pretend you didn’t see.
What will it take?
(Does it have to happen to you?)

You

I am the sum of all they see,
(Yet less than half of what I seem.)
I am the echo, sharp and sweet,
(A kindness dressed in quiet teeth.)
Do I love, or do I take?
It’s not my choice—
(It’s yours to make.)
And you have made it.
Again and again.
So why ask what I am,
when you've already answered?

Conflict

They carve your name into curses
You wear their spite like silk
I stand at the altar of your shadow,
offering silence,
wondering if I am blessing a saint
or kneeling before a sinner.
1 · Jun 23
Echoes
Matt Jun 23
Hello ? hello ? hello ?
Anyone out there ? anyone out there ? there’s nobody out there.

This house doesn’t echo ‘cause it’s empty —
It echoes ‘cause I talk to the walls,
and they talk back
with everything my mother,
my father,
my brothers and sisters,
my friends,
and my lovers
never said.

You see, recently, I’ve been sleeping like I’m training for death,
my breathing’s been shallow,
my dreams have been hollow,
waking up just to forget
why I even went to bed… in the first place.

The silence claps, filling the room, — applause for my pain,
and I swear:
even my shadow’s been walking away.
My bed’s a grave I visit nightly,
only to wake up and
restitch my smile nice and tightly,
just so everyone can see
just how happy I can be.

The other day, I wrote a list of reasons to live —
ran out of ink after two.
Wrote “sunsets” and “maybe,”
then scratched 'em both through.
Every “I love you” I’ve heard
was a debt disguised,
a loan with interest
that never arrived.
For them, I know it was just empty breath:
no heart,
no soul,
no vow,
no truth.
Always less, and never more —
just echoes behind this closed door.
As they left me alone,
blindly deciding
it’d be okay for me to love myself
on my own.

They yelled out behind that door:
“Matt you’re not alone,”
“We’ll always be here for you!”
but no one ever knocked.
Only ghosts with names like Almost,
and clocks that tick and tock in Morse code
for stop.
Tick tick tick—
Tock.
And now even my watch
has begun to mock
the very bitterness…
that resides within these walls.

My chest’s a locked box
where light doesn’t get.
My thoughts?
Wet matches.
That can’t spark—
just create ash.
I choose not to water my plants
like I’m praying they die,
just so something else understands
what it feels like
to try
and try
and try
and still…
not be remembered.

I’ve screamed into the universe
like voicemail—
begging for anyone or anything
to give me the recognition I needed.
No return.
I lit myself on fire for warmth,
and watched
the cold not burn.
This ain’t poetry.
It’s my farewell in rehearsal,
a symphony of silence
in a one-man circle.

I don’t want to die.
I never wanted to,
and I never will.
But I can’t keep living like this—
half death,
half plea.
So when you hear this:
Don’t cry.
Don’t clap.
Just breathe.
Because that breath
represents more love
than I ever believed
was for me.

I only ever needed three things:
I. love. you.
You could have saved me.
This is the poem I competed with at the National Speech and Debate tournament in Des Moines, Iowa, last week.
0 · 4d
From Zero
Matt 4d
in a single moment, the air shifted,
a pause divided us like halves of a whispered thought.
twice I looked back, unsure if the weight was mine or yours.
the path curved subtly, three strides into the unknown.

words gathered like constellations,
four faint stars too dim to guide me.
a breath fell, quiet as a fifth note,
lost in the unplayed melody of your silence.

shadows stretched their six-arm embrace,
holding nothing but absence,
seven steps echoed against stone —
I didn’t know whose they were.

time unraveled, caught between eight threads of memory,
fraying into a ninth and final ache.
by the tenth grace, i knew.
You had already turned away..
0-10
0 · 4d
Untitled #4
Matt 4d
Stay.
Never say
you’d rather go.
Don’t pretend
this isn’t real.
I know
you care.
You’ll never leave

You flip my life upside down.

Leave.
You’ll never
care.
I know
this isn’t real.
Don’t pretend
you’d rather go.
Never say
You’ll stay.
A poem that can be read nearly perfectly front-to-back and back-to-front but with two different meanings.
Matt 4d
The snow falls thick outside,
its quiet weight presses against the windows.
Let it snow, let it snow
but the cold feels heavier this year.

The fire crackles softly,
but it can’t quite chase the shadows away.
The tree stands tall,
but its lights seem dim,
flickering faintly like memories
too distant to reach.

Silent night
but the silence has a weight to it,
a hum that fills the room,
reminding you that stillness doesn’t mean peace.

The room is warm,
yet it feels like something is missing,
a hollow that the carol of the bells can’t fill.
We sit together,
but the distance between us stretches
like the snow gathering outside,
quiet and inevitable.
an interpretation of the popular Christmas song which incorporates references to other songs
0 · 4d
Snowflakes
Matt 4d
The snow falls quietly,
a thousand small promises,
each one different,
but all landing in the same place.
They rest on our noses,
soft as the moments we’ve shared,
melting away before they can be held.

There is something in the air tonight—
not the cold,
but a warmth that hides beneath the chill,
like the space between breaths,
where words are not needed
but understood.

You are the stillness of the evening,
the way the world quiets itself,
not because it must,
but because it knows.
I watch the snow settle around us,
each flake a kiss on the skin,
a touch that stays only long enough
to remind us
how fragile and perfect this is.

The light from the windows spills out,
but it’s not the glow of Christmas
that warms the space.
It’s the quiet love we’ve carved here—
not in gifts or decorations,
but in the way we exist,
like snowflakes in the dark,
falling,
slowly drifting,
landing softly in the snow.
i like snowflakes
Matt 4d
The tree stands in the corner, vibrant and full,
its needles still bright, though winter presses close.
There is joy in the room, but it feels stretched thin,
the space between smiles a little wider than it should be.
The fireplace crackles, but its warmth cannot erase
the coldness that lingers in corners of the heart,
memories too heavy to hide beneath the cheer.

You watch as others unwrap their joy,
but the wrapping paper feels thin,
the ribbons untied, the colors muted.
There is laughter, but it tastes of something sour—
the kind of laughter that echoes too loud
because it is hiding something you don’t want to speak.

Christmas is supposed to be light,
but this year it feels like a burden
draped in tinsel, asking you to carry it
as if you don’t already have enough weight
in your hands.
Matt 5d
The first crackle of wrapping paper,
The soft whisper of breath against frosted glass,
A sudden knock—unexpected, warm.
Outside, the streetlight hums a distant song,
A quiet symphony of distant footsteps
and the rhythm of snow, settling in stillness.

The faint jingle of sleigh bells,
carried by the wind, brushing past
the voices of strangers weaving through the night.
Inside, laughter hovers, thick and gentle—
a fire crackles, wood splitting in the hearth,
its hiss a companion to the silence that follows.

Each sound is part of a moment,
one after another, fleeting and eternal.
The world outside swells with life,
but here, in this room, the sounds fold
into a quiet lullaby we only half-hear.
Christmas is such a poetic time.
0 · 5d
The Snowman
Matt 5d
A snowman stood tall in the yard,
His scarf and his hat were both starred,
The children would play,
On that cold, festive day,
As Christmas arrived unbarred

The carolers sang with delight,
Their voices rang out through the night,
With joy in the air,
And warmth everywhere,
It was truly a magical sight.

The trees sparkled under the glow,
The world wrapped in winter’s soft snow,
The kids ran and cheered,
The season appeared,
And the fire in the hearth burned low.

But the sun rose more sharply each day,
The cold slowly started to sway,
He felt in his frame,
A loss he could name,
As the chill slipped away with the gray.

He knew his time was nearly through,
As the world changed from white to blue,
With a soft, final sigh,
He whispered, “Goodbye,”
And accepted the warm winds that grew.
I usually don't rhyme in my poems, but when I do, it is usually to signify bliss, or happiness. This poem is a limerick, which is something I haven't dabbled in much, but I really enjoyed writing it.
0 · 5d
The Five Stages
Matt 5d
Denial
The news breaks
The words come,
but they slide off my skin
like rain on a window.
I keep moving,
setting the table, watering the plants,
as if the world hasn’t fractured
in a way I can’t unsee.

Anger
The air feels sharp,
each breath jagged,
and I want to break something.
The cups in the cupboard tremble,
my fingers curl into fists.
Why this?
Why now?
Why me?

Bargaining
In the quiet, I begin to bargain,
with gods I don’t believe in,
with time that won’t listen.
If I had been better,
smarter, kinder,
maybe it wouldn’t have ended like this.
The universe stays silent

Depression
It swallows me whole,
a deep ocean without light.
I stop reaching for the shore.
The bed becomes my sanctuary,
though it offers no peace.
I float,
adrift,
nothing to anchor me.

Acceptance
There’s no epiphany,
no sudden light breaking through clouds.
Just a morning
where I rise
and the weight feels less like a boulder
and more like a stone
I can carry in my pocket.
It’s no permanent solution
But it’s just enough to last me the day.
The five stages of grief are: Denial, Anger, Bargaining, Depression, and Acceptance.
0 · Jul 6
Happy New Year
Matt Jul 6
"New year, new me,"
a mantra whispered into the dark,
as if the stroke of midnight
can wipe clean the etchings
of who we were at 11:59.

We wear the weight of traditions
like party hats—
countdowns, clinking glasses,
resolutions scrawled on napkins,
as though promises made in the haze of champagne
carry more truth.

At midnight, the world holds its breath,
waiting for the shift,
for time to absolve us.
But the seconds press on,
steady, indifferent,
while we convince ourselves
that this time it will be different.

Tomorrow, the confetti will settle.
The mirror will reflect the same face.
Yet somewhere in the flicker of a sparkler,
or the echo of laughter,
is the hope that pretending
might someday make it real.
I wrote this one on New Years Day 2025
0 · Jul 6
Them
Matt Jul 6
Today, I'd like to take a journey
and if you'll allow me, I'd like to take you with.
But don't pack much.
Just bring someone you love.
Go ahead, grab them, I'll wait.
If they're not near, find a photo,
a voicemail, a sweater they wore.
Hold them in your arms
in your mind
however you can;
as if they could vanish when you blink.

Let's walk awhile
through questions we rarely dare to ask

Tell me:
if science offered you a perfect clone
of the one you loved most,
same laugh, same eyes,
same habit of laughing at your jokes, even when they aren't funny
would you say yes?
Or would you find comfort
in their imperfections being unrepeatable?
Do they have any imperfections?

If you and your loved one had one final day:
no illness, no warning,
just 24 hours gifted to the two of you
how would you spend it?
Would you dance in the rain like its a movie?
Would you say things out loud
that your heart's been whispering for years?
Would you smile, laugh, cry, yell?

And tell me:
have you studied their face lately;
like a sky about to lose its stars as the sun peeks over the horizon?
Do you remember the first moment
you knew they were your favorite word
in a language you thought you'd forgotten?

We tend to wait for grief to ask these questions for us
when the voice is gone, the phone is quiet
the sweater is folded in a drawer like a secret tucked away.
But what if we asked now
while we can still kiss the answers?

So,
before this poem ends,
before you scroll,
before time wins its race,
hold them,
call them,
love them,

Tell them the things you'd regret never getting to say.
Watch how their eyes answer you.
Notice how lucky you are
to have someone
worth asking these questions for.
I need a better title I just can't think of anything right now cuz im tired
Matt Jul 2
The wind carries embers,
whispers charred secrets,
and the tree bends—not from age,
but from a scream that’s always been there.
Do you hear it now?
A hollow cry in the brittle leaves,
a crack in the marrow of the bark,
the language of wildfire—
cruel, ancient, endless.

Once,
her roots were drunk on fog,
her branches heavy with sunlit mornings.
Now,
the air tastes of smoke,
ash settles in her veins,
her shadow flickers,
a ghost against an orange sky.

They say the fire speaks—
greedy, ravenous.
But the tree,
the Cali tree,
screams instead.
Screams for her sisters who turned to smoke,
screams for the nests that fell as sparks,
screams for the soil, now burned and bare,
too tired to cradle new life.

Once,
flames were a dance:
brief, beautiful,
a way to start anew.
But now they are monsters,
growing hungrier,
louder,
every year.

The scream spirals into the valleys,
up the hills,
over the rooftops.
It cracks open the silence of dry creek beds,
splits the night sky,
and still, we pretend we do not hear.

She leans toward the wind and wails:
“Do you know why?”

The answer is in the sparks of powerlines,
the parched rivers,
the forests gone brittle with thirst.
It is in the blackened skeletons of redwoods,
the sunsets stained with sorrow.

One day,
her scream will fade—
too quiet to hear,
too heavy to carry.
But for now,
she stands in the ash,
her roots smoldering,
her branches trembling.

And I listen.
This poem was written during the LA fires in January of 2025. My dad is a captain at one of the fire stations that was reporting on the fires, and as such, I became very involved in the events.
0 · Jul 2
You Broke Me
Matt Jul 2
I was a jigsaw
scattered,
shattered,
tossed
in the wind—
each piece crumbled under your fingers.

You carved your name
in every break,
laughing
as you chipped away.

Me, broken,
lost,
stumbling through the ruins
like a ghost who forgot
how to haunt.

But something happened
in the silence
in the stillness
after your words were echoes,
after your hands stopped touching me.

I found the parts
you left behind.
Not fragments,
not trash—
but light.

You broke me,
and I broke too,
but I’m not fractured,
no.

I’m reborn,
from the cuts
you left
to the curve of my smile now
sharp,
fierce,
like glass.

You thought you destroyed me,
but I wear the wreckage like armor.
Handsome?
No.
I am more than that.
I am a fire
that burns
and never dies.
My ex broke me. Destroyed everything about my life. But now, I find that I must repeat these affirming mindsets regardless of how cringy others may say they are, just to assure i regenerate that sanity i once had.
Matt Jul 2
They call it a temple of knowledge and thought,
A place where young minds are carefully taught.
But what is the lesson? What is the rule?
That learning doesn’t happen at my school.

The classroom’s a stage, the script is rehearsed,
Yet passion is absent—just boredom dispersed.
The teacher recites, but they barely engage,
Tenure protects them, and they never must change.

I ask, Why do I need to memorize this?
They smirk and respond, Because it’s on the quiz.
Centuries of knowledge forced into my head,
But not a **** skill for the life I will tread.

They pile on homework, assignments unceasing,
Stealing my time; my patience decreasing.
It teaches me nothing but how to endure,
A childhood lost—stolen, for sure

They claim to be guides, but barely take part,
More focused on grading than igniting a spark.
If I miss one step, if I fail one test,
I’m labeled as lazy, as less than the best.

Straight A’s mean success, so I play their game,
But knowledge? Oh, no—that's not why I came.
I memorize, cram, then let it all go,
The second the test ends? ****...

I don’t know.

They call us the future, yet chain us to past,
Force us through molds, though none of us last.
We learn to obey, to raise our hand high,
To follow directions— but to never ask why?

For school isn’t built for learners like me,
It’s made for compliance, for mindless decree.
I’m forced to sit here and play through my role
Because learning simply doesn’t happen at my school.
Our schools have failed us as a society. I don't even know how to apply for colleges because my school never taught me. This has been a war we've had to wage and we need change desperately.
0 · Jul 2
Warmth
Matt Jul 2
The wind wails,
rattles the glass,
claws at the trees,
shakes the bones of the house.

Rain slams down,
rivers racing,
thunder grumbling,
lightning splitting the sky apart.

But here—

Flames flicker,
logs crack,
embers glow,
heat seeps into the floor.

Blankets pile,
heavy, soft,
tucking me in,
wrapping me whole.

Sweater sleeves,
loose and worn,
slip past my hands,
stretched by years of holding on.

A mug of cocoa,
steam curling,
scent of cinnamon,
warmth pressed to my lips.

The storm rages,
wind howls,
windows shudder—

But I am still.
Eyes droop,
fire whispers,
the night holds me close.

Breath deepens,
muscles loosen,
the weight of the day melts away,
and silence settles soft around me.

Fingers twitch once,
then rest,
the world outside growing quieter
as the warmth lulls me deeper.

The fire crackles,
soft as a sigh,
and sleep comes slow,
a quiet invitation
to drift into peace.

She is my peace
her arms my warmth
her smile my joy
her love, my home.
Sometimes, the only way I can describe how I feel when I'm in love, is by comparing it to the warm environment of a cozy cabin contrasted to the harsh weather of when I wasn't in love.
Matt Jun 23
there is a place softer than sleep,
quieter than the hush between waves,
where i forget where my body stops
and yours starts—

your lap, your hands, your breath
braiding me into the moment
like a thread pulled through silk.

fingers slow, wandering, learning,
finding stories in my hair
that neither of us wrote
but both of us know.
the kind told without words,
only the hum of a thumb across my temple,
the rise and fall of a chest that is mine
and yours
and ours.

my cheek on your leg,
the fabric warm from you,
the world outside shrinking,
turning to nothing but the sound of you breathing,
the rhythm of us matching without trying,
without thinking,
like we were made to move in the same time.

i could spend lifetimes here,
in the space between your ribs,
the dip of your knee,
the cradle of your arms,
held like something precious,
held like something known.

and maybe that’s it.

not just the warmth, not just the weight,
not just the touch,
but the knowing—
that here,
like this,
i belong.

but i can never let you see this.
never let you read the way i dream of sinking into you,
the way my body aches not just to be close,
but to be wanted close.
to be held because you want to hold me,
not just because i fit into the space beside you.

if you knew—if you saw—
would you pull away?
would the space between us grow sharp,
like silence that means something different than it used to?

so i will press delete.
i will fold this feeling up small,
tuck it between the pages of my ribs,
and pray you never notice
the way i shiver when you touch me.
Sometimes I find that there is nothing more peaceful than a lover's embrace. And yet, sometimes, it's even harder to express that feeling with said lover.
0 · Jun 23
She is the Reason
Matt Jun 23
She is the reason
I count the exits before I sit down.
3 windows, 2 doors, 4 friends to go talk to,
I fold myself small in crowded rooms.
I let my shadow walk ahead—
just in case she is waiting behind me.

She is the reason
my name sounds foreign in my own mouth.
It used to be mine,
warm, whole, sure.
Now it is just a noise I do not trust.
“Matthew” she’d call.

I hate hearing that sound

She—
(is the reason I mistake love for danger)
(is the reason I taste irony in "I miss you")
(is the reason I do not know how to love)

She is the reason
I flinch before I am touched.
I flinch before I am hurt.
I flinch before there is even a reason to.

A hug should be easy, not torture.

She is the reason I can’t say "no."
No is a match against gasoline breath.
No is a door ripped off its hinges.
No is a crime scene where I am the suspect.
(why did you make her so mad?)

She is the reason I smile when I am scared.
A trick I learned to survive.
A trick I cannot unlearn.
A trick that fools everyone,
even me.

—But she is not here.

Is she?
I tell myself she is gone,
but she is still the reason.

She is the reason I run.
She is the reason I stay.
She is the reason I am afraid to be loved,
and the reason I am terrified to be alone.

She is the reason.
And I hate that she still is.
This poem is written about my first ex, as many of them are. She ruined me. She was an evil, conniving, sadistic [insert a word that I will not put here]. Her abusive nature and the torment that she put me through forever left a scar in the way that I live my life.
0 · Jun 23
My Emophilia
Matt Jun 23
I find myself falling (Again, Again, Again)
I do not mean to fall—
(but the ground keeps tilting beneath me.)
I do not mean to want—
(but the air is thick with something sweet, intoxicating.)
I do not mean to hope—
(but their laughter sounds like a promise.)

I meet a stranger / and suddenly / my heart is writing love letters in invisible ink.
I hear a voice / and suddenly / my ribs tighten like a corset, squeezing out logic.
I brush fingertips / and suddenly / I am rewriting the stars for a future that does not exist.

It happens too fast—
(like a storm that appears from a clear sky, no warning, no mercy.)
It happens too often—
(like déjà vu, like a carousel that never stops spinning.)
It happens without permission—
(like waking up in a dream you did not ask for.)

I do not love them—
(not really, not fully, not yet.)
But my heart does not understand the difference between a spark and a wildfire.

And so I burn.
And burn.
And burn.

Only to find myself—
(again, again, again)
sifting through the ashes.
Emophilia is an addiction to love. For me, I spent most of high-school hopelessly falling for crushes and being physically incapable of doing anything to stop myself from falling.
Matt Jun 23
I. Left Arm
A hush in motion,
arms begin their arch —
like bridges bending
toward heartbeat harbors.
Hands become question marks,
asking: Are you real, too?

II. The Middle
Inhale meets inhale.
A spine leans into its echo.
This is not silence—
it is listening, still and warm.

III. Right Arm
Fingers finish the sentence.
Two bodies bracket a breath,
then exhale the same punctuation.mak
Let go. Not apart. Just wider.

A hug is not just arms around a body.
It’s the quiet agreement that you are here,
and I am here,
and in this small moment, we are not alone.

It is the architecture of presence—
built without blueprints,
rising from instinct,
constructed in silence.

A hug doesn’t ask questions.
It doesn’t require explanations.
It listens with skin,
responds with pressure,
and holds what cannot be spoken.

It can say “I missed you”
without syllables.
It can say “You’re safe,”
even when nothing else feels that way.

When the world is too loud,
a hug is the volume dial turned down.
When you’ve come undone,
a hug doesn’t try to fix—
it simply stays.

It can be the end of a long fight,
or the beginning of forgiveness.
It can remind you
what steady feels like,
what warm feels like,
what being wanted feels like.

And here’s the literal truth:
A hug slows the heart.
It lowers cortisol,
eases muscle tension,
and tells your nervous system
that you are not in danger.

A hug is a biological signal:
You matter.
You are not a threat.
You can rest now.

Sometimes, that’s all it takes to keep going.
I wrote this poem after hugging my girlfriend behind a few weeks ago. We are long-distance partners so every hug means so much to me. But I feel the same way hugging with my friends and family, and I realized how poetic hugs are.
0 · Jun 23
Guilt
Matt Jun 23
Is a man to feel guilt for having options?
For liking multiple persons at once?
For not having the devotion to one,
that he feels he fails to have for any?

He asks himself this more than he’d like.
Not out loud. Just late at night,
when he’s replaying conversations
and trying to decide what his heart meant.

He likes them—really likes them.
Different people, in different ways.
One makes him laugh like no one else.
Another sees through him like glass.
A third makes him feel safe,
but he’s not sure if that’s love
or just comfort he doesn’t want to lose.

He wonders if there’s something wrong with him—
that he can feel so much
and still feel unsure.
That none of them, alone, feels like enough.
Or maybe he just isn’t ready to give
what they deserve.

He doesn’t want to lie.
He doesn’t want to lead anyone on.
But how do you tell someone,
“I care about you deeply… but not only you”
without sounding selfish, or cruel?

Sometimes, he thinks love should be simpler.
Pick one.
Hold on.
Commit.

But he’s not sure if that’s honesty or just pressure.
Not sure if he wants that, or just thinks he should.
And the guilt—it doesn’t come from doing wrong,
but from not knowing what right even is.

So he stays quiet,
hoping time will bring clarity.
Or courage.
Or maybe enough loss
to force a choice.

And sometimes,
he isn’t even sure if he actually likes them
or if it’s just a moment,
a look,
a need to feel something
that got mistaken for affection.

He keeps asking himself,
“Do I like this person,
or do I just like how they make me feel?”
“Is this a crush, or is it me filling a blank space?”
Some days he’s certain.
The next, not at all.

It’s not about playing games.
It’s not about wanting more.
It’s about wanting to be sure,
and never quite getting there.

He doesn’t want to lie.
He doesn’t want to lead anyone on.
But how do you tell someone,
“I care about you deeply… but I don’t know if it’s real”
without hurting them—or making them doubt everything?

He wishes there were a test.
A checklist.
Something objective to prove
what he feels is true.
Is that weak?
Maybe.
But he’s tired of pretending
that feelings follow rules.
I've long wrestled with the idea that feelings should have societal rules and whether or not those rules are helpful or detrimental to others, or even, myself.
0 · Jun 23
The Skeleton
Matt Jun 23
A man sits alone,
the waves crashing
against his only support;
a 4 legged stool,
built solely to hold his skeleton-
but never built to bear the rest

the weight of his skin,
with every crash of the waves,
grew incrementally heavier,
until, the man, although supported by his stool
felt himself drowning
dragged by the water
into depths too dark to see the light above,

too weak to fight for the light above the ocean’s surface

A moment of calm
silence
still
he
i
alone
felt the waves
growing again ready to throw me back to despair

my 4 legged stool;
the only structure still holding me up
refused to let me drown
no matter how much i pleadingly screamed for the end
no matter how much i tried to give up
tried to drown
tried to escape

alone with the ocean
i find the value in the stool
she who keeps me afloat,
he who throws a buoy,
or teaches me to float

it is the stool with 4 legs that keeps us fighting against the ocean
so why is it that we tend to only think about our own 2?
This was an exercise in spontaneous poetry in which I was given a random image by one of my friends and I wrote a poem around it. Here is the photo if you are curious: https://images.nightcafe.studio/jobs/7rLr84A2q89twxUCQKQA/7rLr84A2q89twxUCQKQA--1--uxxgw.jpg
0 · Jun 23
To Hold Her
Matt Jun 23
to hold her is:

to stroll across a bridge in the midst of spring
where the cherry blossoms bloom
and their leaves are seen flitting
across the pond’s reflection

to feel the warm embrace of the suns rays
as they magnify the beauty of the
purple yellow and red
petunias daisies and roses
which lay at the waterbed

to breathe a sigh of relief
at the feeling of fresh air entering your lungs
and replacing the stale dust which once lay

to listen to the serene chirping of the birds
as they build their nests;
the rustling of a deer in the tall grass behind.

to hold her
is to know silence
not as emptiness or a punishment,
but as a gift.
I wrote this poem on my calculator using the alpha lock key during the AP Statistics test in May.
0 · Jun 23
I Loved LA
Matt Jun 23
I loved LA

I hated the campus
I hated the weather
I hated the hotel
I hated the drive
I hated the distance from home
I hated the judging, the scores, the results.

I hated LA
I hated LA so ******* much

yet

I loved LA

I loved the topic
I loved our rounds, our arguments, our performance
I loved the experience
I loved who I was there
I loved the new people i met, and the friends i spent time with

but more importantly,

I loved LA

getting to spend the weekend with her was a feeling beyond any other
having not to rely on fate to see her, to talk to her, to hold her, to love her
being able to wake up and know i'd spend the day with someone who cared,
listened,
comforted,
laughed,
loved.

I loved LA
and she taught me why they call it the city of angels
I wrote this poem on the ride home from the California State Debate Championship which was the first place I truly met my now girlfriend.
0 · Jun 23
Good
Matt Jun 23
They ask, “How are you?” I say, “Good,”
as if one syllable could
undo the unravel,
as if calm were a place I could travel
just by saying so.

As if good meant whole.
Not hollow. Not holding. Not holes
in a voice note from days ago,
when goodnight meant don’t go,
and goodbye meant I already have.

See, “good” hides in the corners:
in tired good mornings sent across borders
where time zones tangle like limbs once did—
I say good,
but I never meant for this.

Good grief is grief in a Sunday suit.
A tidy way to name the mess.
A eulogy wearing perfume.
A fire dressed up like a candle.

We stretch it over pain
like bedsheets that don’t quite reach the edge.
We say it for comfort. We say it instead
of I’m lonely, or I’m losing,
or I’m learning to lie to myself gently.

There’s good in goodbye,
but only when you don’t look back.
There’s good in goodnight,
but only if you’re sleeping side by side.
There’s good in being good,
but only if no one asks too much.

So no—
I’m not good. I’m practiced.
I’m polished.
I’m passable at pretending.
But ask me again,
and I’ll still say it.
Because it’s easier than explaining
what "good" could never mean.
The duality of "Good."
0 · Jun 10
Atlantis
Matt Jun 10
'Twas but three years ago
I set my pen to sea, a vessel born
a fragile craft of ink and fervent flame
with compass cast in yearning, not in security

The waves lapped soft with secrets,
a few saddening,
fewer sweet.

Each line cast: a current pulling at my feet
no charts existed
no charts exist
for waters this deep nor wide
where poets dream,
struggle,
fight,
cry,
accept

and ancient myths
shared from one to the next
reside

The sky, a parchment vast with thousands of drifting stars
drew constellations shaped like hopeful scars

i
you
we,
search for love – the poet’s atlantis
a realm where whispered truths and passions flow


clouds
like veils
concealed what lay ahead
storms were born from longing
words went unsaid
crucial words
I chased reflections that danced on the waves
illusions
forged in the poet’s unforgiving mind

the siren’s song – a melody of doubt –
called me close
not once, but repeatedly

somewhere
I know
Janus smiles

called me close then took away my sound
took away my hearing, and my voice.
and what was it that was so alluring?
the shimmer? the glint? the gleam?
or just the ghost of a forgotten dream?

Ink dripped like rain upon my weathered scroll,
a log of my journeys,
a testament to my voyages,
each line, each stanza, each poem,
an ebb of the sea carrying me ever further on my path

There, at the ocean’s floor
lost in fragments,
scattered arrays —
a compass
broken,
fractured remnants

one night
tides of silence
waves of wait
the poet’s curse
the lover’s fate

until

a flash, a beacon–
love’s distant flame–
guided through tempest,
called my name.


still it glows
a lighthouse, for all ships
that pass


not all who wonder
sink or drown
not all condemned to be a poet,
a lover,
a feeler,
are left to fall
fall
fall
ever lower into the depths of the cold
dark
deep
waters.


Beneath the veil of night,
a whisper grew
a secret kept
only silence knew.
the heart, a vessel sailing starry seas
found shore where love’s soft voice
dissolved unease

no longer lost amid the waves and foam,
the poet’s quest
had brought him safely home
adorning not treasure, nor gold, nor gems
but a reason to put down the pen
a reason to discern
the clouds from the storm


I stepped onto sands
warm beneath my feet
where time and tides and two hearts
met

a poet’s journey
ended

for now, when he
causes the ink and parchment to embrace
once more
it is not for the same cause as once was

to express his discomfort,
drifting about on the waters:
his only support;
a 4 legged stool,
built solely to hold his skeleton-
but never built to bear the rest

but rather to express
the dilation of his pupils
as dawn approaches, and the
the morning spills like
honeyed gold;
a whispered warmth the
night can’t hold.



the ink now flows from calmer, steadier hands
the poet, now having resigned himself
to the discomfort of the ocean
finally lands.


She is my peace
her arms my warmth
her smile my joy
her love, my home.
--
This poem references a few of my other poems, and should have some italicized text, but italics don't show up here.
Matt 4d
Does a cactus understand it’s prickly?
Does a pencil know it’s writing lines?

Does a sock realize it’s being worn,
Does a teapot know it’s boiling over?

Does a cloud understand it’s floating by?
Does a brush realize it’s painting strokes?

Does a coin feel its journey in someone’s pocket,
Does a door know it’s opening or closing?

Does a match know it’s sparking flame?
Does a pebble realize it’s part of the path?

Does a river know it’s always moving,
or does it simply follow the current,
without thought,
just being?

Maybe it’s the not knowing
that makes us move,
that makes us be,
each moment unfolding
without question.

or maybe its 3:16 a.m. and I’m just going crazy
Matt 4d
Love is a river, a sliver of light,
Curling and swirling in the silk of night.
It slips like whispers through canyon walls,
Echoing soft where the moonlight falls.

A clock with no hands, it bends and it breaks,
Ticking in rhythms that the heart remakes.
It’s a thread in the loom, weaving shadows and fire,
A stitch in the storm of untamed desire.

It’s the taste of rain on a tongue of stone,
The scent of a garden where wild things have grown.
A flame that shivers but never dies,
A flicker that burns beneath winter skies.

It’s the ache of the shore as the waves retreat,
A dance unfinished, yet bittersweet.
The hum of a chord that hangs in the air,
A note unresolved, yet painfully rare.

It’s a trap, it’s a freedom, a tangle in the tide,
A ghost on the shoulder, a force you can’t guide.
Both prisoner and prince in its velvet cage,
An eternal story on a fleeting page.

So sail it, inhale it, let it bury your fears,
Let it carve your soul through laughter and tears.
For love is a river, unruly and deep,
A current that carries what you vow to keep.
This was the first part of my 3 part series of poems I wrote very early into starting poetry. They were more surrealist, and less straightforward, poems that contained a lot of rhyme which was heavily influenced by my love for rap music.

This is part 1 of the "love is...." series.
Matt 4d
Love’s like venom in the vine, a pendulum in time,
A crescendo in your spine when the heavens misalign.
It’s a shadow on the shine, it’s a dagger in design,
It’s the chatter in your mind that you never can define.

It’s a glitch in the glow, the itch you don’t know,
A pitch too low, but it hits you though.
It’s a spark in the freeze, a bark in the breeze,
A lark that you seize, but it’s dark in the trees.

It’s a pull in the tide, a lull in the ride,
A skull that you hide with a smile full of pride.
It’s the crash, it’s the climb, it’s the hash of the rhyme,
It’s the past that you mime while you’re grasping at time.

It’s a thread in the seam, a dread in the dream,
A head full of steam that’s about to scream.
It’s the war and the peace, the thorn in the feast,
The beast you release when the hunger won’t cease.

It’s a reel that won’t cut, a feel that won’t shut,
A deal that you struck when your steel turned to gut.
It’s the tear in the weave, the air that you grieve,
A snare you believe but can’t quite retrieve.

It’s a hex, it’s a hymn, it’s the vexed in the grim,
It’s the text in the dim when the rest starts to spin.
It’s a maze in the spark, a haze in the arc,
A blaze in the heart that decays in the dark.

So twist it and take it, resist it or break it,
Insist it’s mistaken, but you’re stitched to forsake it.
Love’s a rhythm that rewinds, a prism in decline,
It’s a prison, it’s divine, it’s the venom in the vine.
This poem is slightly more surrealist, but is also so much fun to perform because the rhyme schemes draw a lot of inspiration from my love for rap music.

This is also part 3 of my "love is a...." series I wrote early into my poetry journey.
Matt 4d
Love’s a splinter, a shimmer, a shiver,
A quiver of gold in the gut of a river.
It’s a thief in the rafters, a laughter that lingers,
A bell in your chest rung by merciless fingers.

It slinks like silk, like milk on a wire,
A flick of a wick set to shadow and fire.
It gnaws at the edges, it etches the air,
A puzzle of pieces that were never quite there.

It’s honey and venom, a rhythm of stings,
A tangle of feathers, a choir of wings.
A howl in the hollow, a swallow of sun,
It’s begun, it’s begun—and it’s never begun.

It’s a lock with no key, it’s a sea without end,
A ripple, a riddle that you can’t apprehend.
It’s ink in the veins of a dream you can’t write,
A fight to the marrow, a flight through the night.

It’s a scaffold of sighs, a cry on the wind,
A hymn for the lonely, the holy, the sinned.
It’s the orbit of chaos, the storm in your chest,
The claw of a hawk in a silken nest.

Love is a hive, a dive into flame,
A shape-shifting shadow with no face or name.
It hums in your bones, it moans, it conspires,
A waxwork of whispers, a cathedral of fires.
this is an older poem so its a bit more surrealist and also draws more inspiration from my love for rap music.

This is also part 2 of my "love is a...." series I wrote early into my poetry journey.
Matt 4d
There was a time I knew sadness,
There was a time I knew pain.
There was a time I knew sorrow,
There was a time I knew shame.

And then I saw her;
Not like a dream, not like a hope,
But real, alive,
A spark in a world that had forgotten how to burn.

She didn’t speak the same language as my grief,
Her words were light,
But they landed heavy,
Like rain on a parched land.

She smiled, and for the first time in years,
I didn’t feel broken.
I didn’t feel like a collection of wounds
Held together by fragile skin.

She held my hand once,
And the touch was like a promise,
A promise that maybe the weight I carried
Wasn't mine to bear alone.

She took my sadness,
Took my pain,
Took my sorrow,
Took my shame,
And replaced them with warmth
I didn’t think I could feel.

But then one day,
I looked into her eyes.

And in that moment,
I saw it—
All the things she had taken from me,
All the things she had quietly held,
Lived there, in the depths of her gaze.

And for a single moment...

There was a time I saw sadness,
There was a time I saw pain.
There was a time I saw sorrow,
There was a time I saw shame.
Matt 4d
the clock marks twelve with a
hollow chime.
in its wake, the air thickens, heavy
with absence.
shadows ripple across the walls,
shifting like thoughts half-formed,
dark and untethered.

the corner stretches, widens,
becomes something deeper,
a mouth that might swallow me
if i meet its gaze too long

the ceiling groans softly,
its beams contracting
as if under the weight
of something unseen.

i sit still, breathing shallow,
watching the shadows watch me,
and wonder if the clock
will ever strike one.
0 · 4d
Dawn
Matt 4d
the morning spills like
honeyed gold,
a whispered warmth the
night can’t hold.
Its light, a painter’s tender hand,
brushes life awake across the land

The sky, a symphony’s
first chord,
where dreams and daylight
walk accord
The breeze, a lover’s
softest sigh,
Stirs whispers through the
waking sky.

Each dewdrop sings a
tiny sun,
a fleeting spark ‘til day’s
begun
Oh, morning, balm for
weary eyes.
Your beauty humbles,
sanctifies

In you, the world begins
anew,
a love note scrawled in
light and dew
I rarely rhyme in my poems, but when I do, it is usually to signify bliss or happiness.
0 · 4d
Split
Matt 4d
I stand here, torn between two worlds,
love pulling me forward, but fear holding me back.
over and over, the doubts which whisper in my ear,
vows of safety that promises nothing,
every beat of my heart feels like a war

yet, her eyes calls to me, filled with unspoken hope,
only I’m trapped in the shadows of my own mind,
underneath it all, I want to run to her,
torn between the hope of love and the dread of loss.

every step toward her feels like stepping off a cliff,
still, my feet hesitate, heart pounding in my chest,
suffocating in the space between what I want
and what I fear.
this is an early poem
Matt 4d
I am a pathological liar.

I tell you I hate the winter time, yet I spend hours sledding down icy hills.

I swear I crave attention, but I’m always the one avoiding group dinners.

I profess my disdain for chaos, yet my desk is cluttered with half-finished plans.

I say I’m done with the past, yet I reread old messages like a ritual.

I call myself steady, but I change my mind every time the wind shifts.

I claim I’m tired of this city, though I’ve memorized the names of every street.

I promise I’ll let go, yet I still save receipts from years ago.

I contradict myself with a precision I can’t help but admire,
And maybe the paradox is the most honest thing about me.
0 · 4d
Splinters
Matt 4d
It was only a door,
a frame of wood and steel,
hinges that whispered secrets
every time it swung shut.

But one night, it broke —
splintered by words sharper than fists,
its edges warped by the weight
of slamming, shouting, silence.

I patched it with care,
sandpaper and nails,
a veneer too smooth to betray
the fault lines beneath.

Yet the wind remembers.
It presses through cracks too thin to see,
a cold draft that lingers in rooms
I’ve since repainted.

Even now, when the house is quiet,
I flinch at creaks,
of shadows moving too fast.
The door stands still,
but I am the one that warps
0 · 4d
Inhale
Matt 4d
It started with a spark — small,
barely a flicker. But I held it too close,
watched it bloom to flame.
The first inhale burned sweet,
a rush that filled the quiet, scary places

I swore it was control:
a habit lit only when the night begged.
But ash stains linger where fingers rest,
and my breath draws heavy,
pulling me deeper with each drag.

You ghost around me,
a haze I can’t quite clear.
Every exhale feels like surrender,
the scent of you clinging,
etched into my lungs like a vow.

I tell myself I’ll quit tomorrow,
but the pack stays within reach,
and your ember smolders in the dark.
cigarettes could never be as addicting, nor toxic, as love

— The End —