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 Mar 2016 Haritha Seby
cassidy
they don't tell you how it will feel
when you take off your jersey one last time
when you say your last team cheer
when you take your last bus ride.
well, maybe they tried to,
but I didn't understand.

because how can you tell me
the countless hours spent
in the gym, shooting with your dad
will be over in a matter of seconds?

how can you explain
the nostalgia that hits
when you play your last home game.
50 games. 50 wins and losses.
all a blur.
all over.

I'm ready to go, but afraid to leave.

c.l.c
Torrential downpour-
Dry, morose, barren buildings;
solitary tree.
I wrote this one rainy day when I was lost in work and suddenly peered out of the window on to the walkway below: there was just this one tree left in the central part of the courtyard, surrounded by tall buildings all around, and it seemed to enjoy the rain the most!
There's something like that.
It does exist, doesn't it?

Poverty, is earning less than ₹ 47 a day.

That's less than a dollar a day.
Who earns less than a dollar a day?
Beggars in Manhattan make more than that.

There is no poverty.
There's nothing like that.

Wait a minute: *beggars in Manhattan?
Easy to forget, living in our bubble: and God save people from  governments that fudge numbers to show it doesn't exist...
I am searching past these dunes
and dune song

It was easier then,
easier then.

ghost-like come
echoing in the winds,
drenched in the sands,
wrapped in the folds of time

comeuppances
coming undead
appearances

there go flying past,
those petals, dried,
fragrant still after these years

that with eyes moist,
I cannot say.

few them petals,
uncut rhyme
on the knees

but you know, I know
codwelling

through alleyways of life.

that was all, that was all

Saying, I don't say.
It is all an intention
in percussion.

Feelings
from those wellsprings
we know not
but are aware of.
A Valentine poem - well, a phase delay in bringing these lines out of the well of the spirit :)
Those ripples
spreading hope among the waves
in torrential despair

foreboding

right behind where I toil away
with all her ships and sails
hidden in her receptacle soul

broken them rudders
we're sinking
as I hold out a palm
for some cheer
to gather. Macabre.

The Ocean, she came to me
and sat silent in the jar
not a whisper of a wave.

lives, palimpsest soul
stepwell storms
revenant, re-sonant
Yes, I am the same God
that dwells among you
Grace incarnate
again and again
in times and among peoples
various as the stars

if that mighty being
beyond all description
but experience
ever begat anything
it is but me,
me, love and grace

wherever the heart shrinks
and tyranny reigns
and lust and greed
masquerade as law
into that parched desert
do I descend, when
Jordan baptizes the soul

Ichthys of God, I make twelve
the anglers of fisherfolk
who cast their nets wide
and catch me in their soul
so they can behold
Him, that I am,

no greater miracle than this
was ever made
Ichthys, as you know, is the mystical 'Jesus Fish'. Some Lent meditations


.
Here you are, holding court
in the sanctuary hewn of stone
in the depths of my hardened heart

I was searching  everywhere

ages congealed in the story of my quest
distant those memories flashing in lightning hues
when we made for you a throne in the skies
you were a king, being vast and a Son.
Fire,  light, word and the cosmos.
You grow with me,  beating with my heart.

so many tongues invented sacred,
each the supreme and the last perfect for all times
ending futile muted
that broke your icons but
fail to uncontain and unlimit your vast formlessness

Now after so much death and darkness

clad in the ashes of those endless cycles of dissolution
with your hosts, ghosts and goblins
in the silences sliced by cymbals and bells
at the pinnacle depths of being
Holding court here
The wave beating solitary on the shore
every once in an aeon, comes an hour
when the fuzzy bundle of timelines
must collapse to a certain certitude

Long hours of labours past the dark nights
that have borne their ends but not far
speak in hushed voices of defeat
and surrender, and dejection,
that it is all over and what else but

There, in the distance is a brewing morass
a descent into chaos and death, a war
that has no winner but the abyss

factions ranged, outweighed not by
their arms but destiny

that now threatens to ****** away everything
that a people fought to preserve memories of

on the  island where death rules the heart
this little patch of a shore
hidden away in the alcoves

the one hope of redemption
First poem of my new series, called the 'Golden Oars', which is the mystical story of the struggle of a spiritual and peaceful people for their survival on a mysterious island, where people live only on the shores in their youth and just disappear inland as they age.
 Mar 2016 Haritha Seby
Nadine Co
i pity words
because words try
they try to communicate in the most intimate way possible
having all these different words pertaining to different degrees of emotions, feelings.
And by having different genres,
like being descriptive, scientific, or conversational,
but it’s always unto the ability of two people:
the conveyor,
if the words would come off strong, or strong enough
or nonchalant, or nonchalant enough
and
the receptor,
if the words are to be processed, understood, wholeheartedly
or to come in one way and out the other
and it’s always different.

you see,
words try, but they’re a medium,
and there are other avenues of expressing ones emotions,
those of which are underlying,
which can’t be articulated.
when you speak words,
it contains tone, diction, and emphasis,
which printed words try to mimic
by various styles like
italics, bold, or underlines,
but they can never quite imitate
shifting eyes, twitches
the waver in your voice, it’s depth,
you, running your hand through your hair,
or having fidgety fingers,
and your legs never seem to stop shaking.
All of this steals the spotlight off of words,
and I wonder, what do all of these things mean?
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