it’s just another
salty day
that fell into today
and told me
repeatedly
on a loop
that
honestly
none of this
is honestly
okay.

The minotaur, trapped for many
years in a labyrinth, is the
sailing master, pilot of the
ship. His mother, a depressed
biologist, is below deck,

lamenting the loss of her
husband, a bull who was
killed by a matador—now a
pirate, chief executive of an
international fast-food company.

The rigger, master of the sails,
tracker of air and ocean
currents, hermaphroditic,
was a juggler, a high-wire
walker in the traveling  circus.

The look-out, with telescope,
in the crow’s nest. An orphan,
raised in a Taoist monastery.
Describes his life as a
journey of wandering solitude,

All looking for—refuge—
a place to live, to be,
an island with fresh fruit,
not sinking into the sea,
and not on any pirate’s map.

My father was
a salesman, all
of his adult

life. But I don’t
know much about
him, really.

Old and ill, he
fell into a coma
for many days.

Then, suddenly
his mouth opened,
round and wide,

like this world.
And without a
word, he died.

I was the shadow
puppet, a barking
dog. Then became

the vigilant cat, that
apprehended the
ruse. Now I am

the rarely seen
mouse, too swift
even for the cat.

A dead chicken
on the sidewalk,
embers—little bits
of  burning paper

drifting in the
air, a man asleep
in a king-size
bed in an empty

warehouse, a “she
done me wrong”
song with a slow
cha-cha rhythm

playing somewhere
distant, and no one
there to talk to, and
no where to go, and
no way to get there.

You are
bathed
at birth.

You are
bathed
at death.

One can
bathe in
every

moment
and shed
the dust

and soot
before it
accumulates.

X is dragging the body of the
dead history professor, a man of
enormous girth and monstrous
height, through the empty

landscape, then the vast ocean
appears and X drops the body
into the water, where a shark
whose ancestry is four hundred

million years old, eats it, as X
recalls the professor’s sleepy
eyes, artificial smile, and
remarkably unreliable memory.

Employ science,
the way a poet
employs words.

Employ belief,
the way a
mathematician  
employs arithmetic.

Or, be the eye
that sees, and be
employed by death,
the way life is
employed by time.

I used to think blue eyes were pretty,
his were not.
his were not cornflower, sapphire, baby, indigo, azure,
or cloudy sky blue.
His were midnight where the light pollution from the city blocks the stars.
Iceberg, squall, hypothermia, eventual death

Shriek

Throw this flesh into wind for to be tattered.

Flense & flay me; sprayed hot onto cold asphalt. Ribbon shred.

This isn't loving Summer, no. Springtime is
planting-
     gestation--
          gasping births---
                violence.
The invasion that is existing.

The Green of April is no gleaming emerald;
It is fury. It is ravenous hunger. It is manic desperation to be
It is the razor's edge of bleeding insistence.

Remove these bones. Festoon your thoughts with the sting and the ache. These verbs are command form. It is Spring.

That ripping. That fibrous, fluid tear. You hear it, yes?

Tilt me over and spill my ******* guts out.
Clouds of grey and bright red rain--squall of ichor. Knife wind.

Let us weep thunderstorms. Chagrin these Gods of Drought.

Howl

Scream for us both. Wail until the throat bleeds. Blood decanter.
Pour us out of you until the sidewalk hides from the cold.

Chilly today! Should've brought an anorak, eh?

Gale force wind. Tear me up. Spare no expense, accept no substitutes.
Leave no intact iota. Return me to my component parts. Atomize me.
Untangle us, we are a tragedy.
...And, after all, this is a slasher, yeah?

I mean. At least distract me. Ya know?