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Edward Coles Mar 2017
I have never met someone as beautiful as you.
I can’t believe you are going back to China.
I can’t believe that I will never see that face again.
I can’t believe I didn’t at least try, at some point.
You are leaving forever.
Every day I stared at you in awe.
But that was the problem - I just stared.
C
Edward Coles Mar 2017
The first winter I ever loved
coincided with my introduction
to Summer.

Three years younger,
she had defeated China
and in her wake lay one thousand men,
mouths hung open;
straining for her ear-shot.

Every taxi driver
spent more time looking in his rear-view mirror,
every ticket collector tarried
in the purchase; a hope to extend the moment
that he could be there, with her.

Used to watch her across the office,
her pencil skirt, precise eyeliner;
the way she would smell her tea
as it brewed in the flask.

Used to stray outside her classroom,
listened to her speak Chinese
to a room of students that would listen intently
as unfamiliar tones spread
across her easy smile.

She sang her tentative songs
over vague karaoke nights,
we sang together in English;
our neighbours sang in Thai.

I took her to the mountains
on the back of my motorbike,
she talked softly in my ear;
her legs pressed close to mine.

The first winter I ever loved
coincided with my introduction
to Summer.

The most beautiful woman
I had ever seen.

I lay still beneath her friendship,
bit my tongue in misplaced passion.
I stood and stared as she walked on by,
into the arms
of anyone’s

but mine.
C
Edward Coles Mar 2017
After a long stay of depression,
he awoke on his motorbike
beneath a searing rainbow sunset.

The mountains arched silhouettes
as he tore through the highway
in the still-image of youth.

Slow evenings spent unwinding,
numbing himself with changes
and the crudeness of a new tongue.

On the shoulder of Kalasin,
in a nowhere-town province,
he had tasted everything.

Ate with his hands
on decorated tables,
trekked the petrified forest

on Christmas Eve;
somewhere between all of this,
he finally learned to live.

After a long stay of depression,
he rolled away the stone.
Found himself six thousand miles

from anyone he had known.
No one can speak English here.
Today, he learned the word for ‘home’.
c
Edward Coles Mar 2017
She left me a gift bag
of coconut oil, expensive shampoo,
instant noodles, and bug spray.

Focus slips as she
presses her face to the bus window,
staring out at a town
she will never see again.

She believed the town was a prison
until I taught her
how to ride a motorbike.

Dodging ***-holes and stray dogs,
I clung for my life,
primed for purgatory-
whilst she screamed love ballads

at the top of her lungs,
believing that if she drove fast enough
she could make up for the time she had lost.

As ghosts appear
along the country roads of Kalasin,
the drumlins will be
a mere sequence of pixels

and Chinese whisper memories.
I smoke, lean on bad habits
across the fence of solitude I built

so meticulously by hand.
Another night spent drunk
under the stars – alone.
Desire spikes a fever in hindsight,

thoughts stray to her upper thighs,
blue eyes, and untouched lips.
I wonder whether reaching out

for somebody in the dark
would have been enough
to abate our bespoke
and desperate loneliness.

She left me as another moment
I let slip through my fingers.
A life-time spent

wringing my hands.
C
Edward Coles Feb 2017
Somewhere, amongst the debris
of cigarettes after ***,
chemicals to induce sleep,
I forgot what it means to love.

I forgot what it means to breathe,
to sit still, and just be.

Somewhere, beneath these hooded seams
of solitude and well-versed grief,
beats a heart less cynical,
less tamed by vague distraction.

My nervous ticks and bad habits,
line of best fit for a near-hit
of satisfaction:

This is not enough, I know.
This is not nearly enough
to cool the bray of life
that still rattles meaning in my bones.

I forgot what it means to love,
what separates a house from a home.

Somewhere beyond this thirst
for brand-new words
is a gratitude for all that has been.
Every cliché holds a truth.

Every sentiment, a cocoon,
that I should lie so still inside

until I am wholesome,
until I am new.
C
  Feb 2017 Edward Coles
Kelsey Rhoads
In the end one needs more courage to live than to **** himself.
A lot of you cared, just not enough, I guess. I just can't eat and I can't sleep. I'm not doing well in terms of being a functional human, you know? There comes a time when you look into the mirror and you realize that what you see is all that you will ever be. And then you accept it. Or you **** yourself. Or you stop looking in mirrors. I waste at least an hour every day lying in bed. Then I waste time pacing. I waste time thinking. I waste time being quiet and not saying anything because I'm afraid I'll stutter. And sometimes you stop and realize-some people are just not meant to be in this world. It's just too much for them. Once upon a time you had no clue why one self would want to even think about killing themselves, and now you know way to close and personally for comfort. Literally. People always ******* ask. Always ask "Why did she do it?"  Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.
What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration? I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer. Ours was different because she just lit the match. Actually, it was only part of myself I wanted to ****: the part that she wanted to **** herself for, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy. But in all reality..What's the big ******* deal? Lots of amazing people have committed suicide, and they turned out alright. But it was truly ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops. And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work, and I want to tell you about everything but I can't because I couldn't stand for you to have that look on your face all the time like I did. I just need you to look at me and think that I'm normal; that you're normal. I just really need that from you. You should want that from yourself.
If you read this and like it, give it a like for me? I'm going to be reading this at a ceremony for the big poetry finals for State.
If you understand, i'm sorry. Stay strong friend.
Edward Coles Feb 2017
The distant park
Was a graveyard of dead stars.
Each streetlight a system of worlds,
So many lives between each mote of light,
Indistinguishable in their unique love,
Bespoke hate, and the drama of the modern age.

Drunk laughter behind transparent
Double doors. Another hotel balcony,
Another cloud behind the canopy
Of marijuana eyes
To unsettle me from the crowd.

She points out, when you look closely
You can see the disorder
Amongst all constellations
Of life and love and litter;
Of discarded Coke cans
And temporary highs.

She says this is not a scene
To imbue the ****** of a present mind,
More to baulk at the incompletion
Of one thousand to-do lists;
A million reasons why
You should just stay inside.

She says you can see the human swell
Of ignorance, our city lights
Blotting out the stars
In a black ocean of broken politic
And irretrievable fault lines-
Divisions between us all.
Lives twisted with professional smiles
And eyes lit with stunning indifference.

Still, I have felt charity and warmth
On the doorstep of lunatics and fascists.
I have read the love of life
In faces of those who gave up.
I have recounted countless artists
Who saw beauty
In moments that precisely lacked it.

I have spent too many nights
In anaesthesia,
Fleeing each instance of feeling
And terror; all the tremors
That tell me I am still alive.

Continued to stare at the lights
Long after her voice
And the laughter inside had gone.

Heard waves in the traffic.
A world so large, so expansive,
It can never truly sleep.
Every broken heart,
Every war-torn land,
Every promotion,
Every one-night stand.

I wonder what would happen
If we all stood still.
If we all took one moment
To observe the motion
That unfolds beneath
Our static windowsill.

If we all took one moment
To recover our loss.
The wars that we won,
The feelings, forgot.
The hell we retain;
Our paradise, lost.
C
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