Dear Talia,

I don't want to be a tortured artist.
I don't want to be depressed and I don't want to be anxious.
Competitive sadness and disorders treated like accessories disgust me.

The world glamorizes mental illness, and I don't understand why. There is nothing romantic about being mentally ill just like how there's nothing glamorous about a broken wrist or a torn medial collateral ligament. There's nothing romantic about constantly being afraid that the world will fold in itself and **** you with it. There's nothing romantic about feeling like you could break down and cry at any moment.

This is the first piece I've written while being medicated.

I want it to be Christmas already.

The world dreams itself a halo, but can only attain horns. The halo is an illusion and the horns are an idea.

I'm due to take another Lorazepam. Would I look cool to the kids who idolize dysfunction and misinterpret pain as style, if I were to take one of these, with water and a distant glance, in front of them? Geez, to have their approval would to have everything and nothing at all.

I'm not sure why I've written as much about this as I have.

You.

It is 2:48 am and all I can think about, in this moment, is you.

I can't wait to spend Christmas with you. I can't wait to wear bad Christmas sweaters, and be the couple everyone hates, as we sing Christmas carols and spread holiday cheer.

I wrote this poem a few minutes ago. Sometime around 2:30 am. I'm not sure. I'm exhausted:

I sat on the edge of my bed, and on the edge of my life,
medicated to the point of pointlessness. Soft.
It was the nineteenth, not the twentieth,
and I wished I saw the fireworks with her fifteen days earlier.

My gasps tore the shingles off of the house.
And they hung suspended above the hole in the roof.
And God stared down into my room, as the shingles swirled skyward.
"I see you," I said, "but I don't believe in you."

I left home and ran until I was a dream that had passed itself.


I hope that was okay.

I love you.


Yours,

Joshua Haines

You pull on my lip like an aircraft emergency oxygen system.
Our engines catch fire
as our tongues flutter like the wing's peeling metal,
and as our eyes peek at one another
between each plane crash of lips.

We've lost cabin pressure
as we can no longer control our bodies.
We gasp for each other's breath
as our shimmering structures
roll around on the sky of my bed.

We kiss like we've only got seconds left,
when in reality,
these moments will never die
even if we do.

I
a flicker of warm light
and your face is all that I see.
Thunderclouds are silenced,
burned away and
my chest is left open to
our place under the opal sky.
The light is our soft romance
and our candlelit meal for two...

II
'Spiritui Sancto'
A Benedictine Monk
alone in
cold stone chambers sees
an ascending soul,
holy company,
a solitary light in all the
emptiness.
'Sed libera nos a malo'

III
Scorch-marks
drip
love - bites
drip
but please don't stop...
drip
In his lust,
Mould moments of my skin
and keep them
forever.

V
'Waxy fingertips!'
'Put that down,
PUT THAT DOWN!'
Mum told us
If you play with fire
you're going to get burned.

V
30 miles
they say
is the mathematical distance
you can see a flame in the dark

VI
This is the symbol of our nation.
'Not by might, nor by power, but by my spirit'
This nine branched lamp symbolizes that our Israel.
has courage, those may be their Qassam rockets,
but those are our sirens.
and that humming you hear is our drones
over their heads.

VII
buuuuzzzzzzzzzz
What enchanting light...
zzzzzzzzz
what God are you? Oh
zzzzzzzzzzzz
wondrous beauty
zzzzz
what magic do you hold, what glory...
zzzzzzzzzz
come closer str.....

VIII
What died so I could read?
The tallow is a pig
the squealing embers
fat pig.

IX
here comes the candle to light you to bed,
And I curled, vulnerable to the shapes in the window
with my feet creeping further under the duvet.
The shadows were melted, cut, distorted on
my bedroom walls.
A primal evil will danced by the light of the flame
until I shut my eyes so tight,
that I slept it away.
here comes the chopper to chop off your head.

X
'No Jennifer, I just feel candlelight just adds a certain

ambiancé

to a room

No?'

XI
'Quickly, before it turns septic.'
'This wont hurt boy'
'The fire, pass the fire'
'Quarterise it quick or he won't last long'
'bite down hard my lad, bite down hard'
'AHHHHHRRRGGGGHHHH'

XII
Children hurtle down,
a Bombay slum to hear that.
'King Rama has returned,
light his path!'
The open sewers adorned in Ghee lamps
find such intense beauty as each quivering flame,
although so fragile, breathes the story
of the power of human spirit
unshakable against overwhelming odds.
*'The King of Ayodhya
Has Returned
Show his path for the Festival of Light!'

I've been told
that I'm built like a fencepost
Kind of wiry
A few knobs here and there
A knot or two for character
I make a pretty good fence
Good at keeping things inside
Not letting things out
But now my shadow seems leaner
Not quite as tall in the morning sun
The soil around my feet eroding
Drying out isn't all it's cracked up to be
Staying straight ain't easy
The herd is getting restless
And the barbed wire on my back
is tearing me up inside.

r ~ 7/25/14

Symphony of shells
Quartz pebble accompaniment
Gull solo to wind sound
Waves whisper-singing in mid-lantic
Come away, come away
Come to momma
Now

r ~ 7/17/14

As we lie dying
the little death,
pull me close
beneath your chin
and hold me tight.
Breathe me in,
feel my heat,
wear me warm
like a well worn blanket.
I will weave you a dream
of dyed wool, desert moons
and a Paiute wind.
I'll dream us through
this long night.
Wrap yourself in me
and rest easy.
Breathe me in,
sleep in me, wear me
like you need to.
And when you awake
I'll still be here
like the desert moon
in a Paiute wind.

r 7/15/14