Wilted jasmines look like popcorns
… that wasn’t very poetic, right?
I was just watching the bushes sway outside my window.
There is no wind today
Just the hot air breathing
I have turned on the A.C. and the fan grumbles quietly

I feel as if my heart is in my stomach
Huh.
**** it,
I really am forcing it out today..
Whatever
I rested my palm on my stomach
As Faizan’s strange playlist chattered nonsense
Outside the blanket shroud I had built
Around myself
And I could feel the beat
The rhythm
Like a drum or a gong
I don’t know why it matters to me
Maybe because I feet as if nothing else does
Right now
I know that sounds exactly like something
A sentimental teenager would say

I don’t know
I want to talk to myself
A heart-to-heart
I want to ask that *****
What is going on
What is wrong
What the **** is wrong, girly!?
I want to hear her ramble on about stuff
Be bored of her talk, but feel kind of happy
That I’m the one she’s confiding in
I wanna give her a hug
To show I don’t have words good enough for comfort
Which I probably do
But am too lazy to fish them out my gooey head
(Besides
I think the poor **** needs a hug)

I wanna zone out and nod along to her words
Just so she can let it out for once
But that *****’s a *****
She acts tough and all smart
But she’s a sappy preteen girl inside
I say,
“Yo, Ayesha, you can cry, you know—”
And she goes,
“Yeah, I know.”
A flip of that inexistent hair
That she long ago butchered
And, bam, she gone.
She tells me
"Yo, Ayesha, you can cry too, you know?"
"I know" I tell her.
I don’t know what to do
So I lie around
Feeling this stupid ***** dance in my stomach
In my wrists
In my temples
I run my fingers down my neck,
Feeling for the echoes of the gong
That keeps talking, talking, talking
Untiring
As if calling me to my people
gathering us together for a battle
that is yet to be fought
yet to be fought—
yet to be ******* fought

And, hey, my
Money plant doesn’t even look rich
That *****—
(Hey, I got a rhyme!)

I heard you like to sing
In broken, barren places
Well, I have found us a mansion
Old and rotten
And, say,
Will you not come over for a cup of moonlight?
I have built us a garden
With twigs and weeds
And hung up a swing
From the black, velvet sky
Will you not come by
In your wildest gown and brightest jewels
Bring along the gossips
Bring along the feathers
And all other abandoned things

Spare me the news of Palestinian wails
Or how a young girl was stolen
From a loud street
Put aside the talks of rising waters
Or how the things that are legal
Aren’t always moral
Do not bring along the laughs of explosions
That are known to bloom in
most arid of places

Tell me about the stars
Tell me the talk of the sparrows and doves
Or did that slender lady
Finally dye her hair green?
How are the dolphins?
Sing me the songs you wrote for fire
Sing of the ocean
And her fluttering veils
Make me forget I am not a gust

Will you not come by?
I have sought out a trapdoor
That leads to the purple forest
We will play hide-and-seek
In our frail, little world

They say the place
Was home to a lady who,
One day, washed her body
And hung it to dry
Will you not help me wake the dust
That sleeps all around?
We will hold a slow dance
With scared spiders and rats
Bring along the tired stars
and all other extinguished things

Bring along the debris
And maybe a ****** shoe or two
But do not bring the stories of still children
Or the shivering ones
Leave behind all the prayer mats
All of the prayers

We will swim in the shadows
And feast upon wilted blooms
Sing me the ballads of the clouds
I’ll sing you those in my head
And when, in the morning
The town’s folks will talk of the dead lady’s ghost
Swaying and singing
I will pretend the mansion
Never knew of us.

Think the saddest thing about this land
Is how hard it tries to live
To hold, to let go— how it
Stills in the middle of a catastrophe
How it sings
Only when no one’s about to hear
How its silence
Is never wholly true

How the clouds go by
And the suns
The crescents grow up and pass
And people—
Yet it, shuddering, remains
And how it struggles
To weave peace out its
Wavering fields

And ever-dancing cities—
The dance of a Persian woman
In shackles
How it slaughters its own flowers
In search of their seeds
How it breaks apart
In the middle of a night
In the middle of a little girl’s question
In the middle of a smile

How the maidens
Keep on hanging their dresses to dry
And children keep hunting
For helpless worms
And snows melt into grasses
Till they too sail away
Yet it, shuddering, remains

How it will gnaw away the town
It carved itself
Feast upon its own beautiful bones
How hard it struggles to stir
In its own queer death
And how it will wither
And wither, and wither
And not tire—

It is its own hateful god.

Do you sense it?
The little men
are mixing up a stew again
They are chopping their children
And grinding all the toys
Breaking the women and
Breaking them on
They will peel colours off the swings
And shred them to debris

Do you sense the moons all hiding
Covering up their silver eyes
And the night is angry
It roars and stomps—
A drunken frenzy; it fights
Its own decayed, black being

Oh, Palestine
You and your fidgeting hands
Fingers fight fingers
And skins are ripped
fingers fight fingers still—
There goes the ballad you never sang
There goes the ballad
You sang all around
There go the plastic dolls
Chaste slingshots, fruits never shot down

Oh, Palestine
You and the lightning
Stumbling through the clouds
You, your tumbling birds—There goes the wind
Mourning a violence unmourned
There goes the silence
There goes the noise
There, all the paintings
Eulogies etched in whispers unfathomed
And there go the stones
Cold and blank

All plunging within the gaping mix
As the *** sits quiet
Upon a fire
Birthed from their own white bones
The little men
are cooking up a stew again
Sprinkled with gold, with ashen stars
It boils and burps
A viscous storm
Never to come
As the *** sits quiet all night long

Oh Palestine,
You, your lovers
Lovers and the rest—
When in the morning
The flames are tired, and bones
Bones no more
The stew will still be stirring
With winds raging on
And no one will be left
No one will be left

With winds raging on
No one will be left

Oh Palestine
Where did the little men go so wrong—

My life is being shredded away.

— my little brother while shredding cheese that he was bullied into doing by mother’s threats of having his Laptop abducted away

Hello poetry
Hello p**try
H'llo poetry

your 502 bad gateways are
freaking me out
I got no copies of
all my ******* man

I wander around the house
Like a heavy ghost
My room.
Turn off the A.C. and open up the windows
Faizan’s room, little brother
Mother’s
My room
It is too barren in here
The kitchen
Open the fridge; I am not even hungry
Drink some water
Faizan’s room
— What up?
— Doom
— Cool. Carry on
He sets a zombie on fire
Hoping around the mountains
Like a wounded bird

Mother’s room
Bathroom for another shower
My room
I might just be passing through the walls
‘Cause man do I not recall
Heading to the kitchen again
Older brother’s room
— What up?
— Hmm?
Exposes a red ear from beneath the headphones
— What up?
— Shut up.
Touché.
Mother’s room
— Do you want my help studying?
— Nah, I’m sleepy

My room
Turn on the A.C.
shut the window
The evening sun pours in through the purple curtains
Washing the room in a faint blush
(not that anybody asked)
…
…
Cannot sleep
…
…
Faizan’s room
— Weren’t you dying? He asks
— Couldn’t
— Ah, sad.
Kitchen
Might just make coffee
Faizan’s room
— Hey! Not here!
— Won’t spill it, chill dude.
He sighs,
Roaming around a darkened cavern
A diamond sword in hand.
He puts on a song he knows I like.
It flutters around us
Like a swarm of frightened moths
I feel I might explode—
Mother’s room
Wait, it’s night already?
But, I just had—
Perfect.
Beautiful.

My room.
The books laugh
The walls laugh, the clock laughs
I feel I might be melting
A night stands dressed up
At the end of the aisle
And I, a bride to be butchered,
Butchered, butchered
Then wed again

Time to study
(not the books,
the ceiling)
Haha.
Tricked ya.
Here, that rhymed, ******
Is this a poem yet?

(Why the hell am I in kitchen again?)

A laugh is not a pretense
I wanted to tell you that, Urooj
And maybe to myself too
Because I know you saw peeps
Of the vacancy
Nestled in my skin
And I too was acquainted
With your queer sorrow
That rises and falls
With a schedule of its own
We saw the jolly winds flirt with greyed trees
And heard many a strange talks
In golden fields of youthful wheat
And mustard flowers alive

But we ran too, didn’t we?
I pointed to the slender tree far, far away
Count as I go, I said
And count you did as I rushed
Rushed clumsily on
My feet twisting in troughs
Eye-lashes fighting dust
Twenty, you shouted, as the tree grew
But I barely heard
my body singing a battlefield

You stumbled through the ploughed soil
Hardened through suns
Crushing the remnants of harvested wheat
beneath the flat soles of your sandals
(who wears those to a field?)
Then more
Through soft, chestnut soils
Trying not to damage the baby onions
And I laughed through my burning lungs
A smoke piled up in me
Yearning to gnaw all away

And we licked the gusts singing gossips
Of sour, raw mangoes
Then relished the cool water that
You forced the earth to puke
(I still don’t get how that hand-pump worked)

And I know you sneaked along a wilted rose
From your sister’s grave
And wept, quietly sniffing
Seeing her in all the birds I pointed out
All the leaves dried to immortality
In my notebook
I too treaded through rows of childish guava trees
And struggled to will my ghosts away
I too got stranded in the insolent rays
of the dusty sun

But we joked still, didn’t we?
And when, on the way home,
I reminded you stories
Of the silly children we once lived
Your laugh glimmered all around
And mine mimicked

And the radio was ****
So we swam in our own private silences
Got lost in the rowing birds
And I know, at some point,
All the dead days
And all the rotten mangoes
Seated themselves in the car
Along with us and our shackled beasts
And the villages and the stalls and empty fields
Ran past in silence

But we had laughed
When the restless winds nearly sent me
Tumbling down the tree
And we had laughed when
The freshly-watered soil tried
To **** us under
And a laugh is not a pretense
Urooj, a laugh is not a pretense.
I wonder if we know.

Mischievous little moon
You are beautiful
I wonder if you know
Though you’re often told
(You know
You can take that hood off
It ain’t cool
You look like a squished football
or an orange rotten from one side
No offence)
But really, you’re beautiful
It is strange
I have words, but none better
Yet beautiful is so much
Mustard flowers
And bluebirds
That girl down the street and her bright-pink smile
Mother’s laugh
Myself too,
Sometimes

But I do not mean that.
I cannot compare you to Arabian Jasmines
Or Sapphire stones
You’re beautiful
unlike all
I think everything’s like that
sigh

But there’s this moment
In the middle of a breath, in the middle of a day
Unbidden
It sprouts sturdily out
Like a Morning Glory seedling
In the midst of a Mint shrub

When it drizzles
And I lose my body for a while
My eyes fixed
At the knitted pattern of the chair
Mother places scraps of stale bread
For the crows to finish
And little brother, not so little now,
Rants about his Minecraft battles
The dragons he defeated
And forts he conquered
(through massacre, but let's not talk about that)
He complains about the sun
(It is not square, and, well, it is real)
Mother complains about his complain
And, vaguely,
I hear the traffic
Four storeys below
That of cars and bikes
Gossiping and giggling
An ambulance
wailing

I think
Someone might be in it
Wincing and pleading to go faster
Or maybe silent, a still god
I think
I still have my test to prepare
I think
Whatever
**** the test
I think
That darkened bird
And its undeniable existence
Is kind of offensive  
But it’s pretty too
Rich purple peeks through that night
Blue and gold
And silver as well, a little

Mother talks about my climbing rose
That’s taking over the balcony railings
And a kite soars by
With a hoarse hiss
I think
Did I sleep last night?
Was I awake?
Perhaps, it was a lingering in between
I think
My brother looks so much
Like that crow
I think
****, dude, he really does

I voice this epiphany to him
And I get a smack
He gets one back
‘Cause mama didn’t raise a sweet
Frail butterfly
But, dude can he hit
I hit him again, which is unjust and dangerous
one must not meddle with little brothers
But mama couldn't groom the idiocy out of
Her daughter
I think
You've tickled the snoring beast
Now flea, you idiot
I run, he runs
Mother squints up in the sun
(Look who came to see the show)
I run, he runs
I laugh when he stumbles
And falls

Cement rough over his innocent skin
Clouds dripping on

It is strange
Those moments
I lurk through loudness to the quiet of my flesh
Then sneak into the noisy life within
And yearn for peace
All about
I flutter with a merry dancing
In my bones
And something weeps, weeps
Weeps on

I think you’re beautiful like that
A divinity I cannot touch
Nor see
A hymn I dare not grasp or
Or perceive
But I need not.

For you, on whose
Oil painted skin the stars did sleep
For you again,
Who wept, wept in vain

I’d tie a butterfly to the unwavering sky
If only as a frail worm to
lure the fish
But did we not swear to leave the winged
alone?

Yet, there they are
Causing a reckless havoc
Trying to tear open the blue
And I’d shoot them down
But the ground is ours you see

Wounded and bleeding
The dying, as a fish, squirms
A broken spear pinning him in place

And I will keep on burning this dirt
To bricks
One betrothed to other
With cement,
Your own strange creation
The one you pour out your flutes
And pluck out them strings
Like fresh born weeds
dried and crushed

Songs upon songs
We set free up the yonder

But here is a bubble that will not be butchered
Like our sacrificial blooms
Ripened and fat,
This untouched pomegranate
Ravages itself

Long did our labor weave tales out ruin
To build us a shell
Within which we now reside

Unhatched

How do we do? It is pretty
A sight
The sky chokes on dirt and dirt
Drowns in the blue
Time, a trapped moth, flutters about
It collides around in its blind frenzy
And will not settle

I keep on
Painting our dry clouds
Birds still peck at gleaming stars
And you
You live, live in vain

There is a plummeting within me
I reckon not unlike tumble ****
in a lone, stranded desert

That of violence
so long silenced
That of anger, and hail storms
upon freshly blossomed hyacinths

a smothered baby bird
or a tree towed down
Repressed,
the twigs and shrivelled seedlings
cry out
and dry gusts hear
One upon other lunges

And I, them weeds—
them weeds— and more,
a deafening brawl

Rolled, as wool, into an orb
That laughs an unkept,
dimming painting
Jumps over rocks
this wicked, rotten child,
And descends under still

Perhaps—
A brick that stumbles out the wall of my skull
and down my depths,
it begins to explore

The den
where an injured bird
snores bleeding
And ceramic bars that surround
Down still—

A churning, twisting furnace
Burning all menace to gold
And labyrinths
beneath
Restless as they warp
upon themselves—
Them groaning snakes

It plummets down still
past the stars
past the battered moon

On, on ’til the cracked rocks
Pull it under, under, under

and my steps feel heavy
A fat brick kiln burping within
And steam and smoke
strangely slither

Then one more brick breaks loose
then one more, then—

and there is a plummeting within me
Like that of beads from a broken necklace
They lurk
from flesh to flesh
Climb up my bare white trees
filled with mud

This faded landscape painting
claws down my spine
And ***** its stollen hues out
Like those

of battles
or slaughtered moths
Of old, crinkled terrors etched
with foolery
Hymns of fury undissolved
and those of naked, shivering sheep

a kitten’s skull
stuck down the drain

There’s a plummeting within me
terrifying, and disgusting; angry and
beautiful— all hyped up to scream
I fear the landslides will
carry me along
and I will let them.

There is no blade brighter than the wind
No euphony as lucid
as entranced she sways—
No mercy weaved in her delirious wings
nor any dead lands
caked beneath the lambent scales
In serenity she loves, in serenity prays
In turbulence— plays

There is no blood prettier
—still, I sense his finger stir
Yearning for cords
as he climbs up
the old, darkened minaret

I hear them warriors are on their way
Lured to stillness by
an injured dragon they cannot slay
and the rain
beneath her guard
trembles, trembles—

I relish the cold devour of her excited breaths
swirling about like a Koel’s last song
up, up the boy does stumble
up, up the tallest minaret
Which has long ceased to kneel
for the Imam’s groggy knees

The masjid slumbers in arms of the tired town
and warriors appear—
Swords like withering moons,
shields, extinguished suns

And prayer mats are folded
by her vivid claws
As blossoms smile out the yellowed tiles
A lion yells, his deer screams
and one upon another,
the swordsmen fall

But I sense a stirring in him
He plucks the stubborn of his tendons
his fingers— a strange dance
And notes around him
tremble, tremble—
Too young to have learned the words
His lips tear open to birth a laugh
an Adhan of his own

There is no sacrifice like one of the wind
She paints a trench across her
wavering being
and trembles, trembles—

Through the shuddering lips pulled tight
she, into him, flows
like water, like a storm frenzied, she
into him, flows—
There is a stirring in him
As tunes give themselves to the vessels
and vessels, unwilling,
are pulled

I hear it all them
The dragon lured to stillness
by an injured boy she cannot slay
—hear this, too
His being, like baked bread, relaxed
And arrows, his vessels
release—
and tunes— tunes soar about
As the old, proud minaret
is bled to a viscous death

I watch the tunes, they
tremble, tremble—
I wonder where they will go
Perhaps down a Koel’s scratchy throat
or sway by the town’s unmarked grave

Then the folks rise up
and cleanse themselves,
Water up their faces, down the elbows
Coating their necks, and glistening in the hair
A prayer upon prayer
hatching on their tongues
—dried blooms
crusty beneath their feet
and rain, a coward— away

A boy is lost, they say
‘As if vanished,’ they say
but is soon let lost
among the rows of funerals
passing through the town’s dusty days
Mourners, and mourners
— dead upon the shoulders of dying
Death, restless, still
Warriors, warriors no more
and the boy

still sings over that forgotten tower
A dragon whirling within
mimicking our moon-struck Dervishes
—I swear the boy still sings
as he gushes, gushes melodies
with every tremble

an Adhan of his own—

Do you remember the sky sinking?
That fall, when we climbed up our vague tree
and watched the nights burn
     softly on
Those naked arms,
                 and our pricking skins
You told me that
the dark seemed quite obese
I wondered how it could be

remember the dawns
  that lingered before us
and birds with jewels between their beaks
    Sun like a bruise clawed its way out
We never did see— never unseeing
ever on watch, yet the clouds
    grew above
and we only drew forests with our hands

yours upon mine upon
  yours upon—
and down, down plunged it all
First, gold
          then the glass
We jumped in weeping puddles
and forced the mud into birthing birds
Then came
     the silvers
and with them, those malnourished winds
Do you remember

the smoke that descended down the cliffs?
That winter, we melted
            with our pink flames
and slept away those snarling wolves
Beneath forts built of woollen quilts
        our limbs tangled, tangled
     with our tales
You told me the dark
     seemed quite obese
I nodded like
  a broken, puppet horse

then—
Dust gushed out the vessels of air
   and cars coughed
And down, down
                came it all
Dawns befriended our solitary dusks
and moons sped up their dance
I ran my fingers down
     the green of your strands
You introduced a ladybug to my skin

down, down tumbled nothing
       First the browns
then the blues
We buried our barren feet in sticky sands
and you told me
It hurt
where, I asked
here.
and there were you kissed

And blues fell upon blues
’til cold, shivering, stumbled away
And our tree was a painting
    on the lips of a stream
Restless, it lurked out our reach
and the sky
swelled and swelled
till a heavy haze came plummeting hither
And above us was left nothing but—

It hurts, you said
I asked you where
here
     here
  here—
the blues embraced the lonely of our land
and kissed it all over
  all over
Huts, playgrounds, markets—
Wells, trenches, hills and hills
children, the rest
     and voiceless shrubs
All devoured.

Do you remember the bleak stars
as they struggled to flutter
    in the smothering vacancy
Then the summer smiled
and stole our dying skies, and
  all the quiet broke loose
        in our bleached towns
We in a moor sprayed with stillness
    treaded through
the misty of our eyes
        feet upon cinders jagged
where does it hurt, I asked
  nowhere
nowhere, nowhere—

the universe watches with her
mischievous eyes
as silence stretches on
between me and the mechanical city

from up here, in winds’ embrace
the cars are decades away,
and lights only a vivid memory
straining the back of my skull

the universe, too, breathes
I hear her now
hear the vacancy stir
in her bones

one— and the archers running
down my throat
two, like the lambs slaughtered
beneath them eyes
three and four and nine—
cracked toe-nails laden with mud

—ten women weeping
eleven wishes for the wilting weeds
I sense a chariot
bumping down the ribs
twelve for the wounded boy
limping up the hill

twenty— a hundred
and hundred more

inhale

I fathom the seconds kiss their hours
and hours melting into days
weeks and minutes,
years and more
all chopped and cooked
to a frothy stew
I feel it fill up her being

and vehicles with their horns
midway
halt—
an owl’s scream stopped just
beneath his beak
and sun, statued, stands

a thousand and the stilled plane
twenty and five
for them frozen flames
sixteen— and the shooting star
taped to the night
— seven prayers left unuttered

three for now, and three
for the past,
three more as all, into the unseen, falls
two shivers, shivers still
—one and a lone worm crawling
down my veins
one and the blue child up, up the swing

exhale

I swallow
as the ticks sink back into the clock
centuries dancing again
— and months  
come stumbling home
millenniums and moments
back to their protests

as all the circus is born again

What’s with the bees?
You’ve asked
    several times now
What do I tell—
   I had not noticed them
Maybe, it’s because my lamp bleeds honey
  all over the floor and the walls

Maybe, it’s the soft buzzing of the fan
or the colourful paintings
        that are now anything but.
Perhaps all these thirsty flowers I’ve hung
  Or leaves on the wall paper
Maybe, it’s the wooden texture
of my shelves
  Maybe, it all screams ‘home’ to them

a break from those gossiping towns
    and manic roads

What can I tell— I don’t even know
Maybe it’s me they desire
—though I doubt it
                 Ask the clock,
ask him what he knows of me
I put on some music and
  it tickles my soul
—It pinches
I turn it off and all the world is left alone
  Birds ask if they can join me
I deny—
Foxes invite me to their hunts
         I deny
Owls have stories in their wings
              but what good are stories in
   a world so loud—

Sun dances from east to west to east
—untiring
I’ve lost count of her rounds
She asks me about my hues. I say,
I cannot read
    I say, I cannot write
I say, I cannot will myself to flutter
         I say, you see those wilting blossoms?
I think I’m turning into them
       (What a cheesy thing to say)

She sings me songs and paints up the sky
—I smile pink
though, why, I cannot tell
I tell her my hues are smiling, too
     She pats my cheek
and gracefully glides away
   and it is

        all still grey
the houses grey, people grey,
cars, plants, towers and stalls grey
Maybe that’s why the bees prefer
  this quiet cell

   It is still golden here
and blues still weep in the curtains
   This is us—
          I and the bees
they live on the silvery walls,
In the sheets, under the bed,
     behind those empty canvases
and inside drawers
          next to the books,
      next to the clock,
           —the picture frames

    over the fan,
the pillows, the carpet
—inside, inside me
Around me, around the poems
    taped on the door
around me
What’s with the bees?
   maybe, they’re
maybe, they’re just my friends.

He’s dead, the *******
Last I saw him up the Bombax tree
Stealing wool out the clouds
Rolling it into ***** and
hanging them by the boughs

I cracked its hollow bones
He helped cut the rest—
Together, I tied them firm
And covered with leaves
covered with dreams
with paints

Houses, and red bushes,
and green birds I made
All, beneath them bruised skies, I placed
I gifted them all to him,
He hung them by the cotton *****
— by the fiery blooms
of that flushed tree
We carved songs out the dirt
Carved for the withered,
and the birds

He’s dead, the *******—
Chopped down the Bombax tree
and buried our flowers
— buried them breathing
My paintings, he nailed to the sky
Pieces of clouds lie bare in the mud
Where he planted a poem
and spilled his soul to
water the seed
that would never sprout

For the dead, we wrote,
—for the winged
They at my colours laugh
and I listen, and I listen, and I laugh
A dreamer that he was,
a dreamer he made of me
He lives there now, the traitor—
plucked the sleep out my nights
One by two by three by ten

Bombax tree, we joked, ******
red out the stilled
now we do not joke, now we’re still—
Red flowers stilled—
He’s dead, the *******
Chopped down our home
Left me with those empty boards
Red, his very own paint
Blue, stollen from the dawn

A thief that he was
a thief he made of me—
I, too, borrow yellow out the daisies
and trick these frogs into spitting green
But what do I paint?
He’s deaf, the *******.
Dumb, even—
What do I paint, huh?
The whole **** world’s
a painting gone wrong
What do I birth out these tired hues?
Last I did, he sold them to the wind
The *******—
beautiful, dead *******
Traitor—

Golden bees
over purple seas
Lies etched upon their wings
It is, I think, like that—
I cannot force this ink to scream
— Black flies
and brown moths
Dust knows what verses we carry,
but what good is she
Restless wasps
beneath a crystal cage
quiet— quiet carved over the bodies we bear

It flows like this, I suspect
They say death laughs when a man dares fly
But I dream this body
—not mine
hands
—not mine
Not mine, I swear
And I plant my smirking blade
into a soft earth
It giggles red, and red and red
and I pluck the gleaming fruit out
It smirks still—

So beautiful do they look
to my withering self
—not mine— not mine, I swear
Red upon red upon grey.
She spills for him,
and I let them meet, they
kiss and kiss and my heavy hands allow
—not mine
And I dream this dream
of a being so mine, and one so not
The flesh blends in with the crescent
a closed fist with an open chest
and I cannot tell who
smiles, who pleas, who wilts, who slumbers
Cannot tell grey

from red, from gold from black to brown
and bees
It bows like this, and you do not
part the slave from his king—but death
does not laugh
I’ve heard her weep somewhere inside
She says her wings hurt,
her wrists do
I think I tied her up with the walls of a skull
Where bees are buried
and moths lurk drunk
I do not remember now—
I did, when the blooms were still yellow
when ships talked of snoring oceans
and beetles listened—

and I dream this castle where
a maiden is ill
Walls silent,
and dresses, useless, lie
Slave girls and boys with dusty hands
and sweaty necks,
are blamed—
They have buried her in velvet quilts
and cushions stuffed with jewels
The graceful curtains
sing to her and
paintings their stories tell—
but I doubt she knows

It is, I think, blue
I cannot squeeze the beauty out my blood
and isn’t heaven lightened
by the very flames of hell
Do them heroes hear the moths’ shrieks—
up up into the sun so bright.
And I dream this canvas
where a maiden has died
Death’s song rang,
and she followed it out—
and the physician is hanged
for he could not stop her

And the queen to her lover,
surrenders her life
But far is the lover now, music sunk
deep in her bones
and the queen her voice,
surrenders, but—
The beetle never stirs
And the wasp still laughs under
Its glassy sky
— I dream the lightening
kissing a red sea
and I cannot tell purple from the queen’s pleas
And her lover’s dress
lies vacant in my chest
I cannot—
I cannot will this fly to move
and the moth—
Oh, the moth

The morning is mine
when people are asleep
Sun and I talk
Birds say their greetings
when passing by
I wash oils off my face
scrub the night off my teeth
I open the windows
—the war rages on

I boil milk and blend in
some coffee
she runs down my throat
burning and waking all
of my snoring folks
Sloshing, she plays in
my arid stomach
—the war rages on

I put on some music
Arabic flutes and gentle drums
and open my books
I read a passage,
then read again
—the war rages on

I reread the passage
What are they saying, I
write it down,
I rewrite, then cut
—the war rages on

—the war rages on
I could scream or tear
apart this book, break this
cup where an abyss now sleeps
jump off, I could.
oh, dear vultures, I could run
away, away, away, and
wither on the way. Oh wither!
but I hide under sheets
and wait for sleep to come

Mercifully, she does.
she always does and I
will wake up and gulp some coffee
and reopen the book
reread the passage, reread
rewrite, rewrite, cut
—and the war will rage on.

there is blood on your breaths
and the shrouded world is watching
as we hold these empty sheaths
wind—cold and blue
holds us
a siren from the sea.
noise— noise
of humans talking and
laughing and rotting
—drowns us
but this shore is lonely

and our castle melts to sand
over our heads—
suffocation—
something too full sighs
in our vacant selves;
and in these purple waters,
surface
we’ve never known

but there’s blood on your song
and flies crowd about
my hands—
silence sleeps in my lap
your fingers grazing my heart
something loud blooms
between us and
—bees buzz
your feet clothed in earth
and we’re alright.

—we’re alright
I ask you how we are so—
what did we do for
this quiet.
—you shiver.
and the shrouded world watches—

before she was death I
often saw her in the orchard with
her pet ducks and fluttery dress
when ancient pear trees abandoned their leaves
she’d pick the weakest and tie them to her hat
collect the newest, give them to the river
the longest, she’d knit into baskets and matts
gift them to old maidens and lonely men

and the rest, she fed to the flowers

and I know that before she was death
she loved flowers but she
never plucked them
she waited for their mothers to let go,
then she’d take the cadavers home
and make beauty out of them

before she was death, she liked
to talk to the graveyard at night
dark wasn’t ugly to her,
and silence was only the trees talking

now, night lives in her obsolete house
when sun goes down, he likes to come out and
pluck stars off skinny bushes
her brightly painted walls are old lattice leaves
behind, the mountains laugh
and beneath them, a kingdom flourishes
not like corn fields near the bank,
a dust-storm, or a mistletoe

and no one talks of where she went though
the talk goes everywhere—

but I know she too feared lone woods
and moonless skies
she saw beauty in all, but nothing
sweet in the softness of flesh

and I know she despised the old cave
behind her house, for it was where she went

her crown is beautified with scared salvias,
petunias tremble at her name, and
daffodils don't even speak, and I
know I don’t want to take her place
so don’t offer me these pretty tiaras
and silence is so much more than trees talking

and some plants like to crawl up on others
**** the life and spit it out on the dirt but I’d
rather be towed down by those furious winds

and meddle not with me or my blood
I could show a softer way in—

like how her blades cut through grey grass
and how her fingers twisted to tie them strands to sheets
and meddle not with me or my blood
I could show a faster way out—
how the leaves bid goodbye as they glided
away with the waters; how her paintbrushes
emerged, soaking, out those liquids
and how she painted poetry out of dust

meddle not with me or my blood

she, who moulded the ground
into toys and pots, taught me
to befriend the daggers, and trust them
taught me how stinking corpses were better
than scentless lilies—and fanged
wolves were often what willed the sheep to live

before she was death she
used to sing a ballad unusual,
'I do not wish to take your place on that
throne, dear death,
I’d rather rot in your prison cells'

but death has not time for pleas.

i stare at the ceiling and hours go by.
clocks tsks—
and cars, outside, laugh
lamp paints shadows on the walls
and the chocolate melts
—a flute sings
and winter settles on the floor
the fan hangs still— still— still.
a bear snores in her cave
and baby owls, with their moons, watch—
a river hisses meekly
and crops bow before the night
air chokes on gold
—and crescent yawns
the clock tsks— the clock tsks
i stare at the ceiling and hours go by.
the clock tsks.
the clock tsks—

Could I have seen them,
I’d tell you
in words—tunes—or hues.
but there’s more an eye can do

an eye can want.

cobblestones—
wooden benches
Skeleton trees, and pretty profiles
Sometimes, crimson skies
or crimson dirts— liquids even.
—she touches all she wants

          she wants all—
glimmering,
       teasing, deceiving—
Black boots on cement old
—yellowed pages sewed together.
  she wants all.

an eye can breathe.
And that was where they came
in caravans.
—inhale

perhaps snow-covered grass
   Or cracked desks
Perhaps trees laden with beings or
just—nothing.

Could I have heard them,
I’d tell you
in clinking bangles— carved ice— or weeping flutes
Could I have—
—could I.

they walked in— nay
flew. Nay, swam.
nay—
Could I have fathomed—

Carried torches, I think.
they marched deep into my caverns
—carried mirrors they.

what of the paw-prints engraved in mud
Crumpled letters
    lying naked in puddles— nay.
my caverns bore silk smoke over velvet nights.
dark—
and dreary and dying
and dead—

but they marched still
And their torches hissed.
Sapphire boots on sooty rugs—
     They marched.
They sang—nay.
painted— nay, moulded a
world out of cinders—
Nay.
Could I have touched, I'd know—

on every turn and every crease
They placed a mirror pure  
    as an infant’s tear
—or maybe a sharpened gem
who would dare to know—

In every dungeon and every hall
Their stares flickered like neon serpents
—nay.
Sun-licked butterflies, nay.
halos above mountains chaste—nay—
Could I have felt—

But one
—exhale
and they were no more.
Went into the rain perhaps,
or past moonlight
    maybe in pine trees under the sea
Could I have tracked them down—

but there’s more an eye can do
An eye can want.
light—
Between the dawn,
    between the darts
Children in smiling yards
light—
   inside coal,
Inside a broken sword—

She touches all she wants
   —she wants all.
and a ray falls on the mirror
and the mirror tosses it to the next
  and next, to the next—
Sun knits a web inside me.
beams and glitter—

Like a child’s song
or a kitten’s roar
—a war cry
Could I laugh like a spear
or mould the starlight into words
I’d tell you—

but the rays marched on
into me
   swift like kites
warm like— like iron.
nay—a mother’s hug
Nay,
beating drums
—or an armour’s clatter, nay.
Could I have known—

But there’s life in piercing screams
—And I was burning
But is it not a privilege
to watch the world wither
from the very roots of the flames?
to be their very mother—

when your wings melt
and towards the ground you
wilt
but you’re flying still—

Practiced pain and misery memorised
A shawl swirling round but nothing is covered
—nothing safe
Little woman—

Why do you roam so free on these greasy roads
People—
people are everywhere, don’t you see?
Do you not know how easy a shell is broken
—how swiftly the pearl is stollen
Little woman— little woman
Where do you hide your crystal wings—
Did you sell them for some loaves of breads?
Don’t assure.

Your eyes bear no tragic fruit and
I wish they did— Lord, how I wish so!
Anything but this casualty
Placidity—
Have they long forgotten
the sky-high castles they were robbed from?
All those moon-struck crowns—
Don’t, don’t assure!

Don’t spread out that hand
Don’t show me that tight stomach
I beg you don’t show them that
stomach—waiting to be filled—
Where in the hell do you sleep?
Don’t you have a door to lock?
Don’t assure—

You priceless, prince-less little woman
Why do you roam so free on these greasy roads
Why do you beg? Why do you—
I wonder why I ask— I with my flowers and bees
wonder what I even know—

I know that in some other dimension
—perhaps beneath a crease in the warp of time
They like to rip flesh off bits of bones
of lovers and friends
dress it up in spices and sauces for feasts—
And their kings do it, and they do
Children are taught, and
house-wives prepare them for special guests
Humans, wrapped in sacks, are sold
in markets— or traded like rice

I know some take pride in the love-kisses
their whips leave on flushed skins
And tallest of corpses are chopped like logs
—carried like crops; cleaned and
beautified— like porcelain; somewhere,
screams are sung on weddings and
Lyre strings talk about mothers’ pleas
Where gatherings of men and women and wealth
are served with their own roasted limbs

Where molestations await invitations
which are not scarce—
I know some like to beautify battlefields
and scattered fingers and ribs and feet and—
I know that tulips are planted in blasted skulls
And children leave paper-boats in warm, rosy puddles
— stars are extinguished for their
unbearable lights and moons are
exploded on festival nights—

I know you look at me and wonder
if I admire canvases gigantic
with stories loud and heroes bewildering
I know you ask of my role on this street,
at this moon, with you of all planets
—and plants, but I only
know of the canvases they burn

—and canvases they tear and
canvases used as shrouds and— canvases
that wipe away clogged ruby tears
I only know of the flowers I painted—
Colours I yelled at
for they were not bright
And the painting I buried under coats of white
for it was not pretty—
The memory I killed over and over and over and over and—
Watched the cadaver walk right through
its death

I know I was not called, nor welcomed
And I know there are worse wars to be ceased
but I only see the bruises on
this child’s dusty face, and bones—
bones and how they push at his ragged flesh
I know not of the demon that lurks within his shadow
Or what tales you carry under your glamorous suit
or what told him to try running with your coins—

And I know there are worse wars to be ceased
—I know there are worse wars to be ceased
and I know— but please for the sake
of dawn’s first ray, of sea’s first breath
don’t hurt him—

Tell you a secret
I’m going to meet the crescent tonight
He followed me around
As I ran though the woods behind my house
a denim bag bouncing on my back
Behind the coal-coated trees, he hid
and emerged only when I begged
—Where do you go, he asked.

away— away from it all.
I locked myself in the basement
Left her nothing to live for
I’ll be far when her stinking body is found
asked the wolves for a ride
We are to meet by the arid hill
Go now—banish like you always do
I do not wish to be seen by a light
So he crawled behind a placid cloud
And I was off again

Ran till eerie voices begin their waltz
—and coward of this heart yelled for him again.
We talked till the dawn
And I walked back to the sick brick cottage
unlocked myself, I wiped her stained cheeks clean,
—apologised
And she was out again—
for yet another day with the world
her mysterious lover

now I am to wait by the window
Where a caravan of dark will pick me up
And carry the light of me
away— away from it all
up; up into the deepening sky.
and he has promised me a circus of stars
We’ll sit at the shore of night
—dream of horizons undreamt

and he has promised me a swim
we’ll plunge into the sun-kissed waters
and watch galaxies collapse into each other
—eternities and breaths away
explosions, explosions and explosions
voiceless—voiceless— voiceless
Remnants of wars between stars
memories of folks who withered
centuries ago—

Then I’ll come back to myself
At waking of the light
disband into the scattering crowd
—confetti.
and in return for his favour
I am to live with myself
till death comes to lift the day away.

Where have you gone, little child
—my little child
You told me all your secrets
but never told me your plans
and was it nothing to you?
—all those golden weeds we plucked
and laughs that bloomed
I should’ve built you a castle out of it all—

I should’ve covered the windows with dry leaves
and letters
I know well of the temptation, but
what was ever so promising in that hazy night?
My little bird,
didn’t I teach you how to fly
didn’t I adorn your feathers with petals
—and poems
I wrote tales for your wings and
Will this be your repay?

What of the endless hills we sailed over
All the gleaming waters we kissed
I should’ve built you a kingdom out of it all—
We could’ve been queens of a starry land yet
here we are

I sit with the weeds, they chew away our lilies
you have long run away
with the dark
and the world is dry—
the world is dry without you.

“Where is the assignment?”

You ask a question the philosophers have argued over

“Didn’t do it, sir.”
“Why?

Because..because…
Where do I even begin—
I usually begin with stories
They fly in through the window, peck at me
Until I emerge out of my cotton caverns
Today, they brought along a fox, orange like melting sun
She hid under my bed and didn’t crawl out until
I sacrificed to her some of my food
had travelled villages and trees in search of her child
Streams and bridges and bushes, she had asked

told me of a little, blind boy with a ***** sack
He wandered about streets, and parks
Every turn memorised over years— every fortunate bin.
His scarred hands searching for softness— of
half-eaten fruits and soggy breads— of cloths.
Dry papers, he collected and sold to people unseen
He slept on the grass, sang songs and gave her food
Then one day she waited but he never came
Then one more, and one more, then—

But you don’t want a story, do you?
right.
Uses of crystalline solids.

“I’m sorry.”
“Were you sick?”

Sick?
Yes, I was sick. But not like that girl, over there,
With a runny nose and funny coughs
I was sick with strange blisters just
under my skin.
they itched and burned, and I could not calm them down
Instead I winced. I curled up like an injured worm
And when the doctor asked me where it hurt
I said nowhere
I said there was a campfire inside me
I said the fish hanging over it had turned to coal
wild-grass soup was spilling out the ***— it’s hisses in flames
I said the people had fought themselves to deaths
And now the fire was alone, and the camps too
And the mother fish calling for her son
And the moon,
And the bodies—

But he said it was just my brain talking

“No.”
“Did you have to go somewhere?’

I did. Past the raging seas, beyond all mighty peaks, I followed a jolly fairy to the hidden garden where all dead flowers go.

“No, sir.”
“Any guests?”

A guest, I did.
But I didn’t invite him. I don’t even know his name.
He banged in through my locked door
A hazy grey shadow with two horns, four fangs and many claws
He ate nicely and didn’t judge my dying plants
He made a blanket fort out of my unfolded clothes,
we had a tea-party,
I painted his claws pink, braided his fur
he crafted me a paper-sword
And we duelled till our weapons creased and sun stopped burning
Then we sang together in our husky voices
And I’d tell you more but I swore
to protect him.

“No, sir. I did not.”
“Then where’s the assignment?”
“I forgot.”

I didn’t forget. I sat down to write but my brain
started talking. It talked and talked
and didn’t cease. Not until I hid back in my caves
and walked away from the night.

“I’ll give it tomorrow.”

Uuh...

“You sure?”

You ask a question the philosophers have—

“Yes, sir. sure. I’ll give it tomorrow.”

Bless tomorrow.

she comes to me with every star
— every bird
greets me on my creased bed
She smiles—
in the long-silenced alarm clock,
in dry roses tapped on wall,
unkept cots of all my jasmines and shrubs,
— my missed classes,
in the cars talking outside

she says,
the dance has long began
I say, I am not awaited
she says she would like a waltz
I say,
please, go without me
here, I'll leave the window open—

she says,
I live in the dusty shelves
— in your abandoned body
I say,
I’ll clean today, scrub off my skin
I'll pull out the weeds

she says,
the air reeks of me
I say,
I’ll put on a song.

but the song wobbles like a paper-boat in a stream
it sublimes away with my breaths—

she watches me—
bath,
as I strip the bed naked, and redress him
as I feed my plants, as I
fold the clothes and tuck them neatly away

her lips meet my neck, as mine
meet the porcelain mug—
tongue trials down my back
as the sandy tea falls soundlessly in me

and I shiver

and she’s there in the unfinished painting
here on my dry skin, webbed eyes,
my jagged lips

I say,
I want you to leave
out this room— out this dressed up city

(her willowy fingers betrothed to mine)

— out these voiceless books
and feeble veins
my ****** sketch-pencils and
and the pictures you **** hue out of

(swords clashing— she aims her lips at mine)

I want you gone,
here, I'll leave the window open.

(and rips them apart; she turns me to glitter)

tell me to go and I’ll go,
she says, later.

tell me,
she says.

tell me,
she says.