I begin to end where the song begins
Little rain plays the earth, birds learn
Little facets light to mimic the sea
The crumpled sheet of the sky
Seems to sink slowly upon my land
The fortress offers a generous view
But my people are busy in their work
And I am busy in the watching

Sweet. Sweet. It is a stumbling
Sweetheart, walked up through the night
I break down, I break down altogether,
I stutter as lightening within the clouds
And the thunder of my disquiet
Pounds against the sun. Everything
Everything, everything incites me
To climb up the watchtowers, invites me
To join a hand onto hand, and
Scream myself open to the world

White as a sordid awakening
Hollow, shallow, swallows
Me like an aged cavern

When mother comes in
She is scared to find me
Pale and blue

The window is a hole
Curtains like bedraggled women
Clutch at themselves

She stumbles through a gathering
Of talkative charcoal
And pastel on the floor

Scattered and sallow
Turpentine twists in sweet sashes
Round and round her neck

She calls, wavering already
Diving obliquely through the sea
She reaches for me on the mattress

In the bookshelf,
Behind easels,  pallete
Beneath the bridge of the table

A thousand gales of hues blow
Ruffling a thousand shadows
Thousand murmurs decieve her

Into breathing relief.
I see her heart a flickering flame:
Waves of my deathlessness

Shove her around.
Mother, mother, come closer
I call from the lean wooden

Parapet of the canvas
I dance her about in the sky
Stroke the hair, as

She cries, holding my solidity
Thin, bony; her hands shake
Like factory floors

Rancid blooms of a stubborn faith
Scotch her oak-brown skin
And all the walls watch our show

Disintegration occurs
As she searches for me
Kicking clatter and dust around

I a pebble in the pebbles of me
She picks, examines, throws
Picks examines, throws

All while tumbling
Into into into the stench
Of my keen blue decay

Brushstroke, word, scream and plea
She takes all the noise along
Into the beautiful world

Gaunt, I crawl clawing out
I am monster now
And she is painted.

Sombre heaven, you look just right in pink
Clothed and cloaked, silken limbs of ancient lore
Everything droops round the drape of your lace
My eyes stumbling lurking, running, returning

I will - I could take anything miniscule
Bare minimum, pitiful, pathetic, muggy
Bitter rain - but you refuse to yield, just like me
Is this why our touch fails so simply?
Because we're too similar for revolution?
Defeat has me nauseous, mildly in love

Sweet, sharp, a little painful, a little blue
You leave no scent when gliding by

naivety slips
forbidden down
I wipe away
with sodden palms
I wipe the way
I slip in paint
wipe moody, spoiled,
wipe then a madness
little and brown
it is no one's fault
or no one's bad
it is rampant Less
stood up to life
with machine breaths
and human noise
sweet sky buckles
as it spreads its arms
rampart then, it is
like blindness
like stumble
forgive me
I know it is weak
when you are evil
I cannot help but break

I am lost, and the cave is blue
All facets of it, some faded, some sure
Crystal tears flicker on the jagged
White eyes, the stones speak nothing
Merely blink as the turnings of lights
In keen grey wells of silence
My life, as a ragged brush, paints
The night to be raw and torn
Leaves the canvas blank for a moon
Throughout the sky are pinned
My letters to the world, flip-flopping
As wild wind horses hop about them
But in the day, in its darkness
I can recall nothing of the colours
The walls scuttle away from me
And the cave, though endless, shrinks
I sit down into the shape of an insect
And feel the firm embrace of lone
Of stone, I begin to feel myself of stone
I rush to the waters, they rush to me
Bleak blue turns me over, takes me
Through months, I sail its roudy mouth
Blissfully unseeing and faceless
Until the coin of the sun flips
And blackness washes everything clean
The sea still, sags to rock, entombs
Itself and me. I am lost, and the cave
Is blue

All night long
I peel off layers of me
thinking up poetry
with my fingers and lips

the little moon melts
and melts
purer than fire

in the morning, I am wax again

Winds, whistles
now all is quiet
paint-brush, sea
your lips moving
speaking nothing
your hands
expressive as ever
my words
causing a *****
by your feet
cluttering, cracking
as you step away

there is no noise
no chirps of the city
no tales of sleep
I run but the running
leads to nothing
I run not to run
or to reach;
perhaps to move
or to cause to move

But the movement
makes no change
the heart is far
the hands grasp each other
like mourning women
the sun is empty
the sky is full of it
houses reek of its reticence
and the people
are out of talks

summer is cold
white, dim, dusty and damp
the pages crinkle like cloth
and when I look up
you are headless

just shoulders, neck, arms
torso, legs
a presence, but
no voice
I speak, I cannot hear
You crumble
I crouch to collect
but I can grasp
at the quiet only

Hello, poetry, how did it go?
I used to lean here not long ago
I used to think the night too slow
I'd stroll for hours, to and fro

Stumble in the morning, grimace
Wipe the sleep off of my face
Don my clothing, make no haste
Tie the gloom around my waist

I'd sling my bag, grab a pen
Set my scarf a bit around then
I'd stand, think, and wonder when
I'd come to see the window again

Everyday I came back and fell
Into the sullen, sweet old well
Light a candle, and then I'd tell
Stories of hell, of hell, of hell

Why not of the big white sea?
In which I feared I'd forever be
I was a little bit scared, you see
I'd paint so, so intricately

One could never have told
All colors else from brazen gold
Still, I could never be bold
I fumbled, prettily, I was never bold

Why, I wonder, now that I'm blind
There is no cold sorrow of any kind
Is there now no hue left to find?
Why is there a silence in my mind?

I am completely, utterly lost

Don't sleep
Don't sleep
I begin to
Like you
A little bit more
I shift and sigh
Say your name
Fatigue rolls
Somewhere by
But, alert I
Imagine
So many paintings
To make for you

You mumble
Childishly
Your laughter
Is glittery
I wish
For so little
I wish too
Intensely
Dont wipe me
With a stiffened cloth
Soaked
In turpentine
And a hundred hues
Dont stir me
I might be disturbed
Out of skill
Out of thought
Onto a burlap scene
Grotesque
Picturesque
And so, so true

Don't move
Or I might too
I might too
Become a facet
Among the facets
Of your horrors
I might
Become art
Might become
Beautiful
In that strange
Black way
Of art

Dont sleep
Talk to me
Speak to me
Let us be
Normalities
Let us
Hold
Technicalities
Forget
Sentimentality
In the silly blue painting
Of an eyeless pretty
Smooth and porcelain
Perfectly closed

No night
To mourn into
Dissolve into
To stumble,
To tremble into
Don't sleep
I become too much alone
Shrivel, burnt sienna
I cannot move alone
I become the paintings
That I fear to paint
I become the sombre
Debris of your laughter
Cold, blue
Featureless
A moonlit night
Nothing but red
You don't know
That I like you
In my head
Come back
Come back

I want to talk to you, now
that the sadness is thickening
in the air, now
that I begin to flee the night

Sombre rue settles, ergot
of rye: i feel a blackened wheat,
I feel contorted,
and worn, crumpled, contaminated
crude

now, I am past again, i am
faint, fossil, begone from the city
I roll in little tremors
through sandpaper streets
a

franctic brushwork of the winds
I am canvas, paint, the face I hate
a feeble cry
of the stray cats in crooks
you

you make me so, so thin
I buzz a wasp in my sleep, i begin
to hate the sleep
I dont... I dont want to sleep
I want to disappear tonight
I want to talk to you

innocent blue
it’s not the truth
it’s just the story I tell to you

say, gone now
all the old times forgotten
we flicker away in bliss

roll the dice
select this, forget then
never let it go then

I was just bored
watching the night
I had it all, I had it all

I need it now
covered in fade, taken from me
rolled up and stored

artefact of old
I want so much to hold
I become small again

I begin to hear too much again
see too large
speak too thin again

now it sits by
in pieces renewed
pretty and gold

hope that you find it
hope that I too
could find it for you

I begin to hate all art
why do you love me,
why do you not

I rub my fingers mad again
I make all faces ugly, ugly
why do you flee me,
why do you not

then I make strange things
I share too much,
in my strange things
then I boast, then I gloat
then I hide, hide, hide

then I want to clothe in paint
I want to burn all art
why do you wait,
why do you wait

It is you for me
Through the summer winds
The winter winds
And colours else
That may curl and go

I linger there
I touch your hair
Two sweethearts
In the good blue room
Tip-toeing
Like my brush
And twisting
Like yours

Two painters
In simple linen
Turpentine, like
Your hair
It is you for me

Wordless? Could I write a  poem with silence?
the skid-slide of the road
the burden of a sudden night on me

Sometimes, I fall asleep
with the pen uncapped in my hand
little book open... it may seem so lovely
look at her!
huddled up with her little thoughts
a true writer, that child!
but- but I preferred sleep!
sleep was pleasurable and it did not run
I preferred pleasure to poetry, madam!
please take the label back

But...
sometimes the pen runs out of ink
and the ballpen stutters
and I get teary-eyed in the dark night
I engrave the paper with the ballpen nib
trace the words out in the morning
sometimes I tear the paper with the ballpen nib
and then weep

Sometimes, like this time, the lamp dies
I press the buttons of the AC remote
every four seconds (I counted)
write in the light of its lit-up screen
Sometimes I write on my hand
and when the hand runs out, I go to the arm
I write on pants, on tissue-paper pieces
Sometimes, there is light and pen and ink and...
and you know exactly what.

I could never call myself a poet
the word stuck, a jumble-mess
of all my literary inadequacies
rolled up to hardness, taped to throat
I... I roll up like a cat or a rug
words come by on a conveyer belt
and I stamp each with 'unoriginal'
unoriginal, unoriginal
a moving queue of unoriginal
so many words! the page is empty
I become unoriginal
other times...
so little words (like this time)! the page is full
I become unoriginal
Then I get so upset, I toss poetry away
like crumpled paper, roll over on the bed
an upset lover; I keep an arm back though
for some little touch


Oh my
I think I'm going to sleep
with the pen uncapped in my hand


Or maybe...


No, put it away
we are done for the night

Some admiration, please
something akin to a pill or
a sudden welcome warmth
I want to be put to sleep

a sleep of no tremors or waking
but not death, not quite
like satisfaction or tea, some instilling
of the sea in me
I thought I had quite grasped
a thread or two
but I am paper now
I have no word to write
no light to write in
I have no thought, and I cannot think

some affection would do
some small touch
some bowl to melt into
some flame as well

I want the night to stay
I want to sleep it away
Poetry is for nothing now
I write to satiate
to not weep, or to not fiddle
to remember, or to clear up
to love poetry
or to gather myself up

But the bed is warm and still a pond
and I wish to weep
I wish words were there to stay
I wish they could pat or touch
stoke my hair with an inhuman presence
some song would do
some voice/whisper/word
some sigh or solidity, some affirmation
I am so lonely
I will eat myself up

Sweet hands, half-concealed
in bright red sleeves
you are so cute when you weep
orange-cheeked and blue
with anger that comes from small lungs
and shakes the chest
Stubborn moth, I like to stub
you, just to see you move
you move like water
when it boils, when it breaks
You are gentle beauty
in thin blue arms, sniffing with the clock
and trying to stop, oh
always trying to stop. You weep like Icarus--
a gleaming smudge in the sky
I want to break you over and over

minaret, matte in haze
an illusion of detail
you, Impressionism
your bricks clasp each other
intricately, intimately
without hesitation or sense

lips of red and suave craft
tilt:
pyre suddenly

I step back

I can fathom you
from here only

Silly old papa with a head of stone
A heart of stone, as he wont say
A heart petty, poor and grotesque
Table unturned - noise and show
A jagged black stone - I pick you up

Debris and Zeus - I pick you up!
I throw you to the streets
There you kiss, you kiss - you foul sag
Of a naive wish, you bland-brown day
Out, please, to your beloved grey

You! Pitiful - huge - huge
Huge with arms of steel
Brazen love, burnt scent, naked sculpture
Chipped and art, you are the museum
Of yell and watch and monotony
The crease I will never paint
Gesture that will tear the paper
You disgust my pencil. You hold;
Crumbling; crumpled a poem
Cold, sold - sold. Sold, Papa! Sold!

Alabaster hands
I paint like I know you
but I am afraid
I paint like I know
the hours of holy songs he sang
when chip by chip
he broke his David
out of stone

but I mumble with a brush
polluted a tomb
with thievery and doubt
if I return to you
I will do so stollen
rolled up in bay and --
my Florence! I couldn't see you
I was lost

I could not be him
he unleashed, I hold
and now you wear his hands
like a beloved scar
and then you haunt my sleep
with your eyes of old

I am sessile, sterile - I doubt.
I cannot speak.
stone carved inadequate, for
I do not know hands
the venules and the etchings.
I could not learn

fiddling like a cricket
in the arms of leaf
I see him leap through ages
to come and observe
I am an artefact flaw
and him the sound perfectionist
he inspects fingers
as they stumble in paint
ever-looming, giant, bearded
with a broken nose

you, Florence! He steals
movement, instill it, gifts it
you wear it, then you watch me
with museum eyes
Good love,
I am no David
do not ask that of me, I may weep
stone in my hand
I sling stutter over my shoulder
and watch the forever tyrant grow

1.
Hibiscus rue.
citrus.
cataclysm.
but so gentle rue.

2.
A cappuccino night
eavesdrops,
the lamp sleeps slouching
its jaw slack,
my clock's monotonous cadence
is loyal as always

4.
A quaver
from a cadaver
that is what muttering trucks
do to the night

It is like startled birds:
they never sit back just right

5.
Insomniac mosquitos
have a *******, I think

The night sky
moves like a swarm

I watch it like a friendless owl
but I am happy

3.
Picture:
smog pilfers
away some stars;
some cars
my words

Silence:
like a pinch, a piercer,
a piercing

Little winter:
a pistachio
salty, sweetly
confined a bead
I crack the door open
I eat it up

Clock:
a pistil
in it
time incubates

This lamplight
is like a pineapple
I want to write, write, write

Privet! You are that
puerile, puffy
no longer the outline
that they had cut of you

Bold like a spider
smaller than the white spot
on my nail
I slam the book shut
you are faster
you skitter about on the table
mocking as if
but I like to play too

Morrow, morrow, city of dreams
Turpentine, slowly sifting
Invades here in sashes of silk
Sounds through bone, bone
Fluid, lures the brain:
It follows coy, curious
Shuffling its thoughts, like one
With fingers, like you
with seasons— blue, and then bold—

The crows shift on the wall
Linseed a moment, and then acetone
I can only overhang and see
The stretches of the city
Forever overspill, overkill— overt
And covert— sounding through
Its buz-busses and snorts; crickets,
Cats, night, white, night
An ox-y-mo-ron, you
Are an orchestra, a tryst

Sweet mo-no-to-ny, a
Platform in a plaza
A plaque on a platform in a plaza
I ransack the dictionary in search of you
The road to lead to the relic of you—
Feed the retrospect’s imagery away
Then the crows look at me
Like I killed their maa
Lit up a June solstice in the beautiful light
Pollution and sound pollution, you
Are homecoming, I say
I say, nothing blinds like home, I say
And I cough the air out like a slang
Your city is ****, a skullduggery
To last the brazen evening
And sag by the night, you are slant
Static, ruthless to the stone come for moss
A slap on the face
Of my sentimentality
How I love to draw you: this way,
This, however I like, since you
Are sightless like a TV, hive of bee
You jig like rain, like sun, woe to me
Like sen-su-a-lity
A satin city, itty bitty pretty
Silly, let me study!

Roused in fanfare, these facets
are full of scantiness,
of cold-***** futility, of bitter thanks

The light turns, morphs them
now they are faces, now limbs
now rancid rag houses again

Crooked sun gurgles, spits a fraud spring
and the office men observe their machines
straight-backed like chairs, they droop
rampant on scarped brown desks,
desks with picked-nail edges, so brown
no one sees them, so solid one forgets to

The sky runs her threads again
accumulating: stagnant noon, sitting
spread-legged, with wax-paper eyes
it watches, watches the aging

Slowly, everyone leaves
the formal men, their leisurely burlap work
lights blink as if to bulwark tears, and
the foul remnants of day's charred pleasure
begin to settle on skin.
the wrists thin, some nails cave in
some lichens on stone-nose

Things that elude cuddle elastic back
into the things they elude
and, spent, the sky breaks at last the thread
to another demure death:
glitchy and green, riddled
in its own secrecies,
dry-lipped as a crone

The light turns again
and this time, it is perfect:
just past the critical angle,
where bustle-bundles of beam
flee unfettered
and leave unlit the grateful subject
reticent, stale
bold in a boastless brood

only a singular fissure
of pretend slight
to mourn aloud in the spectacle of black

Did you weep too?
when we put down our cups of hot tea and joy
they seemed to speak to the wavering air
some reticent secrets of themselves or us
I thought: death is like my father now
it names me, not after, for itself
and I smell the petalled incense of its security
security…
Security. Security.
I thought: we are written
you pull right, and I pull to left
and we go stumbling forward to papa
I thought: I am a cold bottle put in the day
I wipe my tears, and I smile at the beautiful sun
and then again, I wipe my tears, and I smile at the beautiful sun
Did you whimper?
sweetly like a child
I could have loved you if I wasn’t afraid
You say: I am always afraid
You say: it is my excuse for everything
You act so brave, you think I do not think
I have seen you in the velvet dark
crystalline eyed and thin,
not yet the woman that becomes my sin
You are just like me

I thought the eyes would swell and mama would know
so, I stopped and quietened
breathing like a valley, sniffing like lizards
We heard the city sing by
I thought: it is like a train
its tail hooked to the nose, it moves in a circle
and we are in it
Say, do you recall at all?
not more a nigh to pass, but the sentimentality fades,
and we ought to go

Say, stay?
Say, stay for a dance
However pained– a waltz of held-hand and shoe
I will try not to tremble
like that acrid tongue of forever time
Now your forehead gleams with the smear of gloom
and we are wont to let it dry
wont then, to become canvases
wont then, to hide them away, in slots of unlit places
(like ******* or... palm-on-palm or... in between bookshelves or lip)
with so many others
Remember that one? Then that, then that, then that
when we wore our shameless dresses of terror and shame
and we cursed the holy heavens of youth,
when we fought, when we fought, when ran like laughter
There was so much grief
I thought: it will eat us
I thought: I will never escape this
this name that papa wrote
on the paper of my breath
we will always be here, babes, fumbling in shawls
and pleasing the house
plaint and faint and so much like fear

Did you weep too?
I was astray in the street, I couldn’t quite see
I could’ve kissed you like the girls on TV
but mama was everywhere, and she was dressed in papa’s shadow
She said
She said—
She needn’t say anything at all

Say, did you weep at all?
I said I was afraid,
I said then so much of it, I forgot of you
Say, I don’t think you did.

You are an idol of stone
You do not move, you stand at the doorway and watch
You do not talk
You stand at the doorway and watch
When you thunder downstairs to your mistress
Your wife sits blue-eyed on the bed
That is old and ugly, its wood full
Of red insects that bite, but you
Will not let her sell it
For you think it is just fine

When you drive away with your mistress
There is laughter in the house
There is a board-game
Of fickle fate and try
That your wife and your children toss dices upon
And there is so much chatter and so much sound
All red things crawl back
Into the deep deep dens of the bed
That your wife got from her own house
And that you will not let her sell
For you think it is just fine

When you laugh, it is like storm
Sounding through the fingers of the city
And you make so much noise, it startles the sky
It makes the fat dead TV wince at its past
It makes the gruff old drawers never want to move again
And you are always here
Such loving god:
We cut the stone from which you came
Into pieces, pieces, we carved so many of you
Now you are in every doorway
And you do not move

When you return from your mistress
You are happy
You put the new TV on, loud and the news
Of the city flood the house
You are a news yourself
You cough like a steel glass falling in the silence of the night
When everything is sleeping, you cough like its bouncing
That goes on and on, and like its spinning stop
You cough and you chew on the furniture wood
And you make so much noise

She cannot sleep

Well, after, you are still; grey-eyed and corpse
And the insects come; and they do not bite stone

I am made of infatuation, shame and forever gloom
You could not fall
This is not the chessboard of your dreams
No pawn makes—
No bishop makes
The queen takes, is taken an equal
This is not an aisle of rebirth
Or some sombre remembrance
It halts, it halts
The numbers lessen
I did not abandon, I am still here
Yet, a halt lingers
Like death stuck on the precipice of throat
A life of a single lifetime of a thought
I am energy, a little restless
But restless so out of the nature of self
Like the eye of a rook
On the king through a rook

A stupor unblinking
Like the sharpening of a dream
The knight-slide like an Arabian sword
The king scuttles
Rook takes rook, king takes rook

I fancied myself a manly dream
But it doesn’t work like that, does it—
The game writes, and children play
Now I wait the shameful minutes away
(And I watch your hands, so patient, simple
Say, are you dead or pleased?)
And I watch your hands
I should’ve looked up when I had the chance
Now the brooding leaves
And my eye hardens
Father, you have won
With a dream so well, you played just right
I should have not worshipped the pawns like that

Fear is a fire that eats the soul
Muffles the brain in a cold body’s triumph
Toss the world from hand to hand
Say, praise the petty warrior heart

Why do I do this? This mumbling
How many Discord VCs to lurk through?
Silence becomes; nobody hears the girl talk
Yet she is good with word, think one once did say

Bold with brushstrokes I dream to make
Yet never the warrior I’d one day paint
As mice we scuttle, say, as a mouse I do
She’s so shy, is said, and I seethe - I stutter

Words are we, and the absence as well
Bumbling thunder that tricks a tongue
Fear is a fire that eats the soul
With its carnal hands, it is so so sweet

I yield to mumble, the scuttle of old
This is not the pretty stumble of youth
World bloomed a bud, bright-eyed and blue
Called to me, it calls me still

Called to me, they all do still
Curse the Icarus eyes of song
We couldn’t look through, we couldn’t do

Gold did lure, it glittered too
Stroked the wings - I couldn’t do
                                        Lord, I couldn’t do

I was happy once - when sadness loomed
Over gangly shoulders and looked
With its bare black eyes upon the world
Upon which I looked, I laughed pale-toothed
And gaunt, and startled its wings that clothed
My pretty green arms and made me lean
into the silly embrace

Sweet, ghastly vehicles churned
Before childish eyes, my childish eyes, and
All night long I watched the city chase its tail
Do you understand? There is a gloom
To trap the soul. The laughter but boiled
Oozed out like ants from a bottle of sweet -
Canvas-skinned, like torn milk it was, and
I chased it like a babe before a bee,
Then like a babe I feared its pretty pinpricks
There is a beast in fear that touches
The young

The gape of a cold cold crown that makes
Even the crescent ugly - of rains run stale
Through the ages of dance, of wheat fields’
Jolly feathers and the merrymaking
Of the nights when warm things creeped
Nearer and said things so gentle, they lead
Through paths of grey caress toward
The golden sun

There is a gloom to eat the sky
A joy that mumbles like dry thunder, that wobbles
Like ripe clouds through the winds, swept off
From the heights…

Sweet, the night lifted her head and nodded, and
Sweet, all good things drooped like prayers
before stone - sweet, the crescents,
Of indent and star, where holy terror
Had loved us slow, never felt so small as did
In the leaning - the yielding - us, beautiful:
Bone-eyed and bare, shuffled off from the heights
Of silver youth, as ****** birds, as ****** boys
Through the winds, and we melted
Sifted, out of ourselves and into the honeyed
Embrace of old

We forget the tides as they claw on
Into the purple oceans of old
We forget the shores
Thousands, ten thousands
And then so many more
As ***** mix in with the seagulls
And seashells we lose
Through toiling of wave wave wave
Everything passes

acrid sweetness
collects in the crevices
of our soapy grey clouds

see, this winded winding
bell of a city
and the porcelain blue night
that guards in its curvature
winds that giddy waters
shuffle their feet,
and clouds the lather
that slowly thins away;
there is a pattern here
a Van Gogh swish-slosh
of silver and black
this is the ecstatic dance
that they talk of

a movement that starts a thousand chains
spiralling unspeakably swift—
a mantra of colour and script—
flicking wrists, and ankles turning
(and the crickets: tch-tch…tch-tch…)
and then all meeting
singularly, before the silver sun-washed eye
of the sky

pretty
this ripe peach moon
I wish to bite

these winds mimic the sea
with stalwart droop and a cape of silk threads
the very worms became them: slowly working
a criss-cross play through the night,
through its zenith and sombre blue, a simple silhouette
before the whispers of clouds—
then tiding parabolic back into a smash
of feathery scattering, these winds are the fireworks
that leap upon us
voiceless and stark, slyly soft, softly silver
dandelions themselves as they break
(leaves trembling in their fervent furore)
and this night stands, its feet dipped
in the shallow rippling of the city
it gazes over the horizons
reflecting into itself

01:00 am

if right now
I were to tell
of a thing that I’d do
for the rest life on
you know I’d say this
—
this is… magic
poetry is magic
and in this
I feel like only in this
am I ever true
and good
—
good
it is a strange word
one does not hear words
this simple
a lot now
—
good
it is so honest.
in its mediocrity
it leaves room for nothing else
—
right now
I think that poetry is good.

12:38 am

think I fell in love with a poem
when I fell in love with her

for she was pretty and I never thought
pretty, silly, aren’t they all?

think I painted her up
and then I thought I had lost her all

—then she smiled a knife’s edge
and I never thought— I never thought—

slowly pulled;
and then she did not quite;
and then all at once she did

then she became small again
a collection I liked to see

and then I stopped running for touch
and I thought I had written her then
thought I’d finished her in word

but she nears sometimes
and she never leaves

12:45 am

everything passes
winds disperse
to clouds scatter

wars dissolve
to remnants and
pinpricks of song

everything passes

and Osamu did say
everything passes

everything passes
winds run on, scatter
to cloud on the sky
electrons
through eyes of streets
oscillate
between days and darks
and then they too tire
say
Osamu believed
before I could:
everything passes

wait and—
would we wait and see if everything passes?
we will pass in the waiting and it is so so simple

Osamu
everything passes…
Osamu
perhaps we never will

here
love tides
through age
and knowledge
just as shiny
comes, lures, goes

Osamu…
here

perhaps not your humanity
but this was your curse
that in every passing moment
you stayed
and to no staying
could you hold

everything passes
it’s funny
we will too
it sounds like a lie

12:50 am

everyday
the words accumulate in me
and at night
I shoo them out
I never know what they are going to be
it is like a smoke
one sniffs all day
but does not smell

how dreary…
how unaware we stay
of all that makes us
what is it that blinds us,
if not the gaze with which we see

sometimes
the words become dreams
sometimes
tossing turning wake
and emptiness sometimes—
or like right now
they become it all
sometimes
I turn on Faizan’s brutal bright lights
and I uncap my pen
and I watch this page
and I pick my nails
and I think think think
it may sound silly
but those are words too.

01:55 am

I think that someday
I would like to paint a ghost
like did Osamu
and I too would like to hide
it for no one to find

I think I’d like to paint
like I like to write:
quietly, clumsily
and without eyes

as a dove flies
and as it hits against the window
curious, and fearing
the picture it wears
I’d like to paint mirrors
and not beauty

for many can paint beauty
and beauty is never
without eyes
and though it may not lie
it may too not be true

I think Osamu
never wrote so fragile
as did when he wrote
where does this little path go?
where does this little path go?

—

11:55 pm

now I will write a poem
I will write no thought
for they lie like silk
smooth and slick with solidity
and its thirst
(pretty pearls fall and fall and fall) perhaps
poetry is hand
the ink that writes it
something of the muscle
subtly moving
to move the words
then this one will be white
for in the light that it forms
is white and sharp

thoughtless banter…

with paper and secret—
we never become so still,
all rehearsals halted
to see the show:

perhaps this one will be fear
perhaps blanket blue
perhaps time
that slips into bed and sleeps
perhaps this will be snore
(I do not snore, I breathe only,
but this time does)

11:40 pm

sometimes the night comes early
fast like the lid of a pepper-jar
that spins itself geometric into place
sometimes though it is patient
like the swarm of a moss
or of a tide that turns time
to obese slime
sometimes there is so much to say
and do and wish for
sometimes very less
sometimes, the past nights
become other people
and future nights
become other people
and they sway like drain worms
round a puddle
on a tile
we are a crowd
all of us, a crowd -
body upon body like
an ugly cluster of skin
and shadow and grasp
we write things and we make them poems
then we write more
and we are all naked, but none truer
and sometimes the night
does not come at all
and I linger solidly
fidgeting with my words

01:16 am

and this night
things are gentler

pillow - the stuffed owl and the clock,
swivel of silence
and stray dust; white-lit
hands as shadows
moulding themselves around limbs

and sensation:
a simple news
to the heart: a moth-wing
watching the light,
its ticks
timed with the pulses
of time -
it watches slowly
the light

—

and this night
we are gentler
body on body - like mingled wave,
ripples trail
but carefully so
as all fish sleep
or rest

—

and tonight
the weight
is just a weight

—

and tonight
there are no flutters
                          to drown to

01:10 am

there is a number for everything
all strange surrenders
and imaginative threads
of stars that predicting move
and men predicted on;
like resonating blackness
of a still night,
the numerals scatter
symmetric in their magnet-dance
and then they write

every step,
every tide, buzzing
with possibilities,
burning intensely to one—
why do I doubt the hold of this?
this puppetry Law
and its fingers of strings
why do I think to flea?
I move a piece
on the chessboard of pieces
and something in me changes forever

02:37 am

I have something more to say
frail like a young stem
something just as green

I think if I were to die:
here; now
I would not be upset
and I think if I were told just now
that I was to live
forever here
I would not be upset still

and it is sweetly silly
that love makes
letting go easy—
sometimes, perhaps
perhaps a short love only
a sensation that visits
only in the gentlest of nights

perhaps this will be my lover
and my war
perhaps it will be one
because it will be other
it is sweetly silly

12:30 am

I like poetry
I like the tenderness of it
and how it is like a leaf
I may slip into my pocket
and carry along
into stifling examination halls

I like its thoughts
the gaps and turns
it does not ask for cleverness
from me
as I do
it is not a mother
and not a child

a poem, a poem only
silly and free
like a fly
that does not care for freedom
or like a little gust
in a thousand crowd:

the hair furls
I turn to watch it go
but it is gone
before i do

12:40 am

this is not sadness
I said wrong
this is pillow, pen
a patience of time
in between its clicks
like a chess move halted
for a carriage of thought
this is books
I never read

this is not the books I read
they sagged
to stale pale stories
but this is a passage one forgets
among a pile of others
like this
this is the stillness that breathes me
in and out
through the night

this is not sadness
this is… like tea

02:30 am

something of tiring
soothes the soul
lemon eyes
lettuce body
and yield

when thoughts swivel,
as vision bugs, in moving mind
when the cradle of the heart
rocks
and bed
becomes an anchor
a tundra ecosystem
of surrender:

the breaths
faintly white like
gentle ash
ruffle around,
and something little of the jaw
lets go a little,
and the fingers
stop fighting

time disperses
and all writing stops.