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 Dec 2020 Ayesha
Delton Peele
I can not write
All the wrogns
I have done
If I did
There would be
No more sad songs to be sung
..............
Yesterday thinking on it
I thought what would
I possibly do today
If I  had just done
What I oughta
And
If I didnt have to spend
All of it fixing what
Yesterdays going to bring tommorow
 Nov 2020 Ayesha
Stevie Ray
Flower
 Nov 2020 Ayesha
Stevie Ray
Let's not forget that we are flesh and bones.
Stillness eternal, smiling, in a storm of chaos.
Unbothered like the icy stare of eternal death.
Reflected in the blooming iris of life.
The pupil dilates and contracts
and the moments in between breaths.
We remember who we are.
 Nov 2020 Ayesha
Tom Salter
This morning I dug up John Lennon’s grave,
I needed to tell him a bunch of people from the internet were outraged
And demanded an apology,

Squint-eyed, he chuckled
And asked me if i’d ever listened to ‘Jealous Guy’, and
Then proceeded to tell me to ‘*******’
Without even hearing my reply,

Given who I was talking to, I obliged
And walked away untangling my earphones,
After awhile I located
The song he recommended and
Pressed the play button as soon as it had downloaded,

It was an odd feeling jamming my thumb into John Lennon’s face
Just to hear his music, you see
The play button was perfectly placed
On the bridge of his nose
Just under the iconic silver wiring of his round glasses.

4 minutes and 18 seconds passes
And i'm left thinking;

‘He hasn’t a grave, he was cremated
But at least I found the apology
The people on the internet wanted’.
 Nov 2020 Ayesha
Tom Salter
When the light has come
And dispersed
To another crack in the universe;
Somewhere shut off from those
Who are so acutely delirious, a place
Where you can mingle with a docile smile
And weary half-shut pupils;

Somewhere shrouded in half-cut peace
And devoured by dwindling creases
In bone-white cheeks,

When the light
Has found this place
I shall roam the foreign streets, crawling
My way through the sleeping bodies
And smokey brick retreats, squeezing
Through huddles of gristly hands
That sit upon embers and
Half-bloated, half-empty stomachs,

I shall ignore all this, and rather
Look upon the sides of buildings
Where pictures may linger
Of children grasping red balloons
And of husbands
Washing up famished teaspoons,

Their imperial chatter of “wake up!
Wake up!” reminds me of my choices,
The choice to wear knitted coats
And button-up sleeves, perhaps
If I wear a hat, the voices shall cease ?

And when I am asked why I stand here,
Balancing on the curb in my puzzled clothes -
I shall profess;

“I am uncrowned but I am dressed, and
They have banished me to the ground, do
They want me to ask their questions now
Or shall we tuck ourselves in and go to bed
Where all that can be said,  

‘Am I dead,
Am I not yet dead ?’ ”

The crowds will reply
In their final utterings
And frayed mutterings;

“We do not know
The queries you seek, or
Why you pace upon
The edge of the street, alas
We do not know what it is
You seek at all”.

And so,
The brick and concrete
Will have to do, it is where
I have made my bed
And where I shall lay too -

Here, my wings are clipped and
My smile is cracked, but
I am not yet dead, it is only my
Hands that appear to bleed
This deceased shade of red,

Here are my belongings:
The rumours that are soaked
And promised - the words
That are often misread
But never misspoke,

And with my tongue dipped in the gutter -  
I natter and I mutter;

“Where does the Morningstar go
When the gates have closed
And the couples have gone to bed
And all that can be said,

‘Am I dead ?
I fear that I am dead.’ ”

But I am not yet dead, my
Pulse still breaths see, it
Marches on without cowardice, it
Rallies my heartbeat
And commands my legs to charge -
  
Down, down, down the crevices
And the isolated paths, the
Uncharted cracks
And the unironed creases
Where ill bachelors linger
And their estranged daughters
Snigger; “my daddy is
Dying, look at him quiver
And squirm, doesn’t he
Remind you of the worm!”,

I do hope they ignore me, if
Only they knew
How fragile I have become
They would bombard me
With lethal profanities,  
Anchoring my ears
To their vile screech, and
I speak, and on I speak;

“Be kind to the gentle man,
Let him speak to the birds
If it pleases him,

Buy him a loaf of fresh bread
So that he may feed them, and
Listen to what he has said;

‘Am I dead ?
Indeed, I am dead.”

There will be no obituary
In the Sunday paper, nor
Any grieving stones
In the Vicar’s lawn, and
No bereavement cake
On the Baker’s counter,

(Oh, however will they mourn ?)

There will be no joy left
To cure the funeral blues
And no pick-me-ups
In the mornings after news,

There will be no murmurs
From the Sisters
And no whispers
That slither through
The cracks in the doors,
There will be no answers
Of any sorts, there
Will be no answers at all,

Everything is trivial now,
All null and dispersed
And the light
That was diminished
Has up and fled
To a vacant universe,
Where all that can be said;

“Am I dead ?
Is this what it is to be dead ?.”
 Nov 2020 Ayesha
Grey Rose
What remains in the aftermath of love?

As streets are built without sidewalks
As neighborhoods no longer have use for streetlights

As parks and sunsets turn into myths
As the stories of lies and deceit become the only nursery rhymes we pass on

As *** becomes as mundane as eating bread
And ****** become larger and more frequent than church communions

As ***** become cheaper than blood

As faces become so interchangeable they're impossible to remember
And names turn into secrets

What remains?
When everywhere is no man's land

When childbearing is just a rare, yet escapable punishment from God

When children migrate in swarms between families like birds escaping winter

When love is just but a militarized weapon used for enslavement

When humanity is emancipated from their emotions

Shall we celebrate our independence by clearing our contacts list and changing numbers?

Shall we start each new year by picking a new stranger to stave off our hunger for the night

When we stone those who learned each other's middle names

When we lock away anyone greedy enough to keep someone to themselves
And the married are sent to live in the madhouse

When the war of love have ended
And no one's heart returns home

What remains?
 Nov 2020 Ayesha
Grey Rose
Tell me
That gun that you're so proud of
Why does it tremble so much?
Is your hand following your unstable mind?
Is that the same hand that holds your child's?

Your emotions
Fragile enough to be crushed with a hug
Insecure enough to attack a compliment
Corrupt enough to endlessly reload on lies and deceit
Are those the same emotions you shoot into your wife at night?

Your bullets roar so loudly
What voices are you trying to drown out?
Your heartbeat clanks at the speed of the fallen shells
What are you so afraid of?
A man armed and ready to go off at any moment like you?

Tell me
What can you manage to defeat?
With those trembling hands
Uncertain of what to take aim at
You shoot down anything that moves
Uncertain of where the trigger is
You pull at anything you can reach
Uncertain of how much enemies are left
You forever stay in the trenches
I now know that when you bow your head at church that it's not for prayer

Then hoping to nullify your senseless you refuse to leave the battlefield
And take no-mans-land everywhere you go

You wear your bulletproof vest and rifle to the supermarkets, schools, offices, dinner tables, churches, and funerals

Forever firing
Forever charging
Forever defending
Forever fighting
Yourself.
 Nov 2020 Ayesha
sparklysnowflake
if it wasn't for that pretty head ...

staring into my dark, lonely mirror, i feel my body
devour itself – my organs
twist and wring their tissue into thick dark vines—
capillaries converting into tangled leaf clusters on
two heaving baobabs,
the stomach flattening into a rotting jungle floor,
and without seeds or a plan or an objection,
an ecosystem erupts,
growing by night—

not the science textbook kind,
with turquoise estuaries and mangrove trees
and perfect clouds like pulled white taffy, no—

the water there is tar, pooling
at the tip of the cranium and
oozing through the brain
like a slimy pink grate, raining
over the dead and the deathless alike,
making misshapen monuments
out of pain.

the body is silent
as its inner kingdom declines,
and because it is a shell it
becomes preserved,
a petrified relic
of its old glory.

if it wasn't for that pretty head
with those bouncy brown curls,
that pale, almost blue-tinted skin and
your innocent doe eyes glaring into their own headlights like they didn't deliberately design the nightmare that lurks and grows behind them, like they never notice the sticky burning tears collecting in their corners, like they really might
miss their reflection
if it was gone ...
i’m taking a poetry class and, naturally, i forgot how to write ... this doesn’t really feel like it’s mine but i hope it means something to you all the same
 Nov 2020 Ayesha
sparklysnowflake
Embalmed in textured navy fabric space,
we float in vacuum silence, orbiting like stars.

With outstretched finger solar flares, we bridge
the space between us, puzzle over charts
and physics, piece together what we are–

in blazing convex eyes like mirrored spheres,
reflections question why they'd been afraid …

We curled up in our function’s minima,
derived the strongest force we'd ever seen
before. We hadn't considered, I'll admit,

because it seemed just so farfetched– absurd–
a conscious variable, god, or of the sort,

by whom our stellar glory was produced,
allowed, controlled. Because what universe–
inanimate and gloomy hunk of void–

destroys with prejudice, unless it minds
whose theories rest on hope and lovely lies?
i half wrote this already in my last one
but i had to write something in blank iambic pentameter for school
and well im too tired to have new ideas
 Nov 2020 Ayesha
sparklysnowflake
my diet as a young, unsuspecting girl consisted mainly
of the saccharin that crystallized in between
the glowing, smiling teeth of Disney princesses,
and the artificial-like aftertaste that
coated the walls of my mouth,
enchanting me with fantasies of formulaic love –

level-headed, perfunctory love that
feels like knowing the color of
your dress complements some manicured uniform
waiting offscreen until the waltz your costumes are programmed
to perform, indifferent
(as you are)
to the bodies
that fill them.

so I painted myself monochromatic,
spending my days planning, calculating,
and trusting, wondering
why it seemed that other girls never got too hungry,
(living as they did only on sugar highs),
or bored of the one color they had chosen to become, to wait inside,
but starving was easier than searching for
(or, god forbid, finding)
what I knew I was missing ––

"you are a passionate person,"
he says to me,
truth spilling through my rotting teeth into my shriveled belly,
all rich and creamy-like, as if
he doesn't know what the inside of my mouth
should taste like, as if
his mouth doesn't know
how hungry I am ––

I know
that passionate people
spend their days feasting.
they lie underneath black starry skies
and spoon their own moonlight-infused tears into
each other's mouths, and chew crunchy, fizzling morsels of poetry
along with fistfuls of shadow-drenched notebook paper, and
guzzle violet-tinged philosophy and insomnia until sunrise, but

still, unfortunately, love is what sustains us.

passionate people
are no better at surviving than Disney princesses, but
their bellies are too big and their palates too sophisticated
for light, sugary, level-headed love ––

so, in our wild, potent love, we cram ourselves with
these decadent and deliciously painful things,
and when time and distance and gravity make us still
ache with hunger, we swallow fire the colors of our lovers' eyes and
we burn like kaleidoscopic beacons,
smiling.
happy almost-9-month anniversary to my school kicking me out bc of covid yayyy
in case you were wondering everything I write is just me being angry at that moment I stopped having a life
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